Mining probabilistic color palettes for summarizing color use in artwork collections

Ying Cao, Antoni B. Chan, Rynson W. H. Lau
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引用次数: 4

Abstract

Artists and designers often use examples to find inspirational ideas for using colors. While growing public art repositories provide more examples to choose from, understanding the color use in such large artwork collections can be challenging. In this paper, we present a novel technique for summarizing the color use in large artwork collections. Our technique is based on a novel representation, probabilistic color palettes, which can intuitively summarize the contextual and stylistic use of colors in a collection of artworks. Unlike traditional color palettes that only encapsulate what colors are used using a compact set of representative colors, probabilistic color palettes encode the knowledge of how the colors are used in terms of frequencies, positions, and sizes, using an intuitive set of probability distributions. Given a collection of artworks organized by artist, we learn the probabilistic color palettes using a probabilistic colorization model, which describes the colorization process in a probabilistic framework and considers the impact of both spatial and semantic factors upon the colorization process. The learned probabilistic color palettes allows users to quickly understand the color use within the collection. We present results on a large collection of artworks by different artists, and evaluate the effectiveness of our probabilistic color palettes in a user study.
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挖掘概率调色板以总结艺术品收藏中的颜色使用
艺术家和设计师经常使用例子来寻找使用颜色的灵感。虽然越来越多的公共艺术库提供了更多的例子可供选择,但理解如此庞大的艺术品收藏中的颜色使用可能具有挑战性。在本文中,我们提出了一种总结大型艺术品收藏中颜色使用的新技术。我们的技术是基于一种新颖的表示,即概率调色板,它可以直观地总结艺术作品中颜色的上下文和风格使用。与传统的调色板不同,传统的调色板只使用一组紧凑的代表性颜色来封装所使用的颜色,而概率调色板使用一组直观的概率分布来编码关于颜色如何在频率、位置和大小方面使用的知识。给定艺术家组织的艺术品集合,我们使用概率着色模型学习概率调色板,该模型在概率框架中描述了着色过程,并考虑了空间和语义因素对着色过程的影响。学习到的概率调色板允许用户快速了解集合中的颜色使用情况。我们展示了不同艺术家的大量艺术作品的结果,并在用户研究中评估了我们的概率调色板的有效性。
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