Tying the Knot

Lydia D. Goehr
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Abstract

The pains of a hard labor bring the final chapter, Chapter 21, to the twins born to be measured on the scales of industry and idleness. Philosophically domesticated all the way into the bedroom, the wit comes to heel one last time with the painter’s brush. The first telling of the Red Sea anecdote is told and the final explanation given for why a single painter in London was named the painter of a blood sport, wherein an entire wall was covered over by the waters of the Red Sea. Why had the sea to be red? Had the sea to be red? The chapter completes the genealogy of liberty as worked through a micrology of wit. The wit, entirely domesticated, binds the Red Sea to the Red Thread given a skewed Red Square placed high up in a ceiling corner. The settlement of a marriage contract becomes the resettlement of art’s contract with modern times.
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艰苦劳动的痛苦带来了最后一章,第21章,关于双胞胎的诞生,以勤劳和懒惰的尺度来衡量。在进入卧室的过程中,他被哲学地驯化了,智慧最后一次与画家的画笔齐头并进。本书讲述了第一个关于红海的故事,并最终解释了为什么伦敦的一位画家被命名为一场血腥运动的画家,在这场运动中,整面墙都被红海的水覆盖了。为什么海是红色的?难道大海必须是红色的吗?这一章通过智慧的微观分析完成了自由的谱系。这个智慧,完全被驯化了,把红海和红线联系在一起,在天花板的角落里放置了一个倾斜的红场。婚姻契约的消解成为艺术契约与现代的消解。
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