THE CONCEPT OF THE R. WAGNER’S GEZAMTKUNSTWERK AS PHILOSOPHICAL AND LITERARY JUSTIFICATION OF MODERN INTEGRATION PROCESSES IN ART

IF 0.5 Q4 COMMUNICATION Doxa Comunicacion Pub Date : 2022-03-25 DOI:10.18524/2410-2601.2021.2(36).246815
Valentin Shtyrbul
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Abstract

The article is devoted to the consideration of the Gezamtkunstwerk as a socioaesthetic concept, the ultimate goal of which is to implement the spiritual rebirth of humanity and the construction of a harmonious perfect society through artistic arts in the organic synthesis of his species. The purpose of the article is to substantiate the main principles of the theory of R. Wagner on the universal model of art in terms of its practical embodiment in a number of cultural projects of subsequent historical periods. As a result of the analysis of examples of the interpretations of the Gezamtkunstwerk, the author comes to the conclusion that the trend of the merger of various types of arts and their existence in a holistic artistic and creative form is observed in the XXI century.Thus, without offering perfect solutions to the main problems of our reality, Wagner’s concept can help to look at the modern world in a new way, realize all the depth of interconnections in it, and come to the conclusion of the necessity of the revival of mankind in a new quality. Therefore, the idea of spiritual transformation of reality with the help of artistic creativity can be considered relevant not only for the XIX and XX, but also for the XXI century
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瓦格纳的艺术概念作为现代艺术整合过程的哲学和文学论证
本文致力于将艺术作为一种社会美学概念进行思考,其最终目标是通过艺术在其物种的有机合成中实现人类的精神重生和和谐完美社会的构建。本文的目的是通过瓦格纳关于艺术普遍模式的理论在随后的历史时期的一些文化项目中的实际体现,来证实瓦格纳关于艺术普遍模式理论的主要原则。通过对《艺术艺术》解读实例的分析,作者认为,21世纪出现了各种艺术类型融合并以整体艺术和创作形式存在的趋势。因此,瓦格纳的概念虽然没有为我们现实中的主要问题提供完美的解决方案,但它可以帮助我们以一种新的方式看待现代世界,认识到现代世界的所有深层联系,并得出人类必须以一种新的品质复兴的结论。因此,在艺术创造力的帮助下对现实进行精神改造的想法不仅适用于19世纪和20世纪,也适用于21世纪
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来源期刊
Doxa Comunicacion
Doxa Comunicacion COMMUNICATION-
CiteScore
1.00
自引率
16.70%
发文量
38
审稿时长
12 weeks
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