Art school as a transformative locus for risk in an age of uncertainty

C. Gale
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引用次数: 5

Abstract

Risk is not a neutral term even in (western) contexts of art and design pedagogic practice, where risk-taking is entwined into the matrices of the academy from the macro to the micro: from institution to studio to tutor to student. Neither design education nor practice exist in a vacuum, so the conditions and contingencies of risk in contemporary design pedagogy are unpicked, in relation to place, process and people, as inter-connected (though often fragmented) components of study. Art school is examined as a transformative locus for risk: a conceptual-architectural site for knowledge but also a temporal space of subversion, within which the studio provides students with a relatively safe setting for risk in individual and collective formulations. Neo-liberal policies of standardization and competition are as embedded in educational institutions as they are across all levels of society: the resultant loss of agency is felt individually and collectively. This article reframes risk as fundamentally located and dialogic, an autonomous cooperative and collective action, underpinned by critical thinking and disobedient pedagogies. This is a transformative educational process anticipating change in an expanded mode of design in which the student members of the Alternative Art School are considered as critical agents, employing creative reflexivity as an antidote to the neo-liberal stifling of risk.
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在不确定的时代,艺术学校是风险的变革场所
即使在艺术和设计教学实践的(西方)背景下,风险也不是一个中立的术语,从宏观到微观,从机构到工作室,从导师到学生,风险都与学院的矩阵交织在一起。设计教育和实践都不是在真空中存在的,所以当代设计教育学中的风险条件和偶然事件是不被挑选出来的,与地点、过程和人有关,作为相互联系的(尽管经常是碎片化的)研究组成部分。艺术学校被视为风险的变革场所:一个知识的概念建筑场所,也是一个颠覆的时间空间,在这里,工作室为学生提供了一个相对安全的环境,以应对个人和集体的风险。新自由主义的标准化和竞争政策在教育机构中根深蒂固,就像在社会各阶层中一样:由此产生的机构丧失是个人和集体都能感受到的。本文将风险重新定义为根本性的定位和对话,一种自主的合作和集体行动,以批判性思维和不服从的教学法为基础。这是一个变革性的教育过程,在扩展的设计模式中预测变化,其中另类艺术学校的学生成员被认为是关键的代理人,采用创造性的反身性作为新自由主义对风险的抑制的解毒剂。
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来源期刊
CiteScore
1.50
自引率
0.00%
发文量
9
期刊最新文献
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