The Spaces Between: Using Thick Intersectionality to Explain Identity Gaps Presented in Ginny & Georgia

IF 0.6 Q3 COMMUNICATION Southern Communication Journal Pub Date : 2022-12-18 DOI:10.1080/1041794X.2022.2154828
Virgil L. Hayes, Olivia Watson
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引用次数: 0

Abstract

ABSTRACT Ginny & Georgia, an original Netflix show released in 2021, showcases how racial identity construction cannot be separated from history, culture, language, and oppressive structural systems in society through the writing of the main character Ginny. In this paper, we explore how communication theory of identity (CTI) and thick intersectionality (TI) connect to examine the material consequences of the ideologies that undergird Ginny’s identity formation. Findings illuminated identity gaps formed at the personal-enacted and personal-relational locations through Ginny’s on-screen performance, which highlight the complexity of and tensions within expressing and performing multiraciality. We argue these identity gaps accentuate the interlocking systems of oppression that lead to expectations of group membership performances. Theoretical and practical implications are discussed.
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空间之间:用厚重的交叉性来解释《金妮与乔治亚》中出现的身份差距
Netflix于2021年推出的原创剧《Ginny & Georgia》,通过对主角Ginny的描写,展示了种族身份建构是如何无法脱离历史、文化、语言和社会压迫性结构体系的。在本文中,我们探讨了身份的传播理论(CTI)和厚交叉性(TI)如何联系起来,以检验支撑金妮身份形成的意识形态的物质后果。通过金妮在银幕上的表演,研究结果揭示了在个人制定和个人关系位置形成的身份差距,突出了表达和表演多种族性的复杂性和紧张性。我们认为,这些身份差距加剧了压迫的连锁系统,导致对群体成员表现的期望。讨论了理论和实践意义。
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