Anxious verses: The use of the language of flowers in expressing new femininity in the poetry of Anica Savić Rebac

Reci Beograd Pub Date : 2021-01-01 DOI:10.5937/reci2114112i
Mitrović Ivanović
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Abstract

This article aims to analyze the important part of the poetry of Anica Savić Rebac which reveals the image of a woman who emerges from her personal, poetic garden, and transforms in front of her reader not into a silent figure, but into the one who owns her authentic voice. The article emphasizes the cultural and historical importance of the language of flowers and its phallogocentric use for such a long time. The language of flowers became a particularly important way of expressing female inner voices with female authors such as Anica Savić Rebac. The first section draws attention to the poetry of Savić Rebac and the hardships she faced on her creative path - some of her male colleagues tried to sabotage the printing of her poetic work. The theoretical views of Anne Carson and Cindy Moore are applied in analyzing the authentic female voice and its importance in Savic Rebac's poems. The poetess wrote her poetry at the beginning of the twentieth century, and her contemporaries were Desanka Maksimović, Milica Kostić Selem, Isidora Sekulić, Jela Spiridonović Savić, and others. However, Anica Savić Rebac remained invisible for a while. For instance, Miloš Crnjanski thought her poetry was worthless and did not recommend it to a well-known publisher in Belgrade. At the end of the twentieth and the beginning of the twenty-first century, the poetical work of Anica Savić Rebac underwent fairer readings, interpretations, and evaluation, due to the great efforts of certain writers, critics, historians (Nada Marinković, Svetlana Slapšak, Ljiljana Vuletić, Žarka Svirčev, Laura Barna). The results of this analysis indicate that Anica Savić Rebac creates a new meaning for flowers and herself without the fear of the possible consequences in the patriarchal world. By using the language of flowers, the poetess offers a feminist reinterpretation of different ancient myths. Of great importance for understanding the poetic voice of Anica Savić Rebac were the biography of Anica Savić Rebac written by Ljiljana Vuletić in 2002, as well as the feminist and psychoanalytic reading of her poetry by Žarka Svirčev from 2018.
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焦虑的诗句:用花的语言来表达安妮卡·萨维奇·雷巴克诗歌中的新女性气质
本文旨在分析安妮卡·萨维维奇·雷巴克诗歌的重要组成部分,揭示了一个女人的形象,从她个人的、诗意的花园中出现,在她的读者面前不是一个沉默的人物,而是一个拥有自己真实声音的人。文章强调了花语的文化和历史重要性,以及花语在如此长时间内以生殖器为中心的使用。花的语言成为表达女性内心声音的一种特别重要的方式,如女性作家安妮卡·萨维维奇·雷巴克。第一部分关注萨维维奇·雷巴克的诗歌以及她在创作道路上所面临的困难——她的一些男性同事试图破坏她的诗歌作品的印刷。运用安妮·卡森和辛迪·摩尔的理论观点,分析了萨维奇·雷巴克诗歌中真实的女声及其重要性。这位女诗人在20世纪初创作了她的诗歌,与她同时代的有德桑卡·马克西莫维奇、米利卡·科斯季奇·塞勒姆、伊西多拉·塞库利奇、耶拉·斯皮里多诺维奇·萨维奇等人。然而,阿尼卡·萨维维奇·雷巴克有一段时间没有露面。例如,米洛什·克伦扬斯基认为她的诗毫无价值,没有把它推荐给贝尔格莱德的一家知名出版商。在二十世纪末和二十一世纪初,由于某些作家,评论家,历史学家(Nada marinkovovic, Svetlana Slapšak, Ljiljana vuletiki, Žarka svir ev, Laura Barna)的巨大努力,Anica savivic Rebac的诗歌作品经历了更公平的阅读,解释和评价。这一分析的结果表明,安妮卡·萨维维奇·雷巴克为鲜花和她自己创造了一种新的意义,而不必担心在父权世界中可能产生的后果。通过花的语言,这位女诗人对不同的古代神话进行了女权主义的重新诠释。Ljiljana vuletiski于2002年撰写的Anica savivic Rebac传记,以及Žarka svir ev于2018年对她的诗歌进行的女权主义和精神分析阅读,对理解Anica savivic Rebac的诗歌声音非常重要。
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16 weeks
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