Neo-Platonism in Ibn Khaldūn's Poetics

IF 0.3 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES Al-Masaq-Journal of the Medieval Mediterranean Pub Date : 2014-05-04 DOI:10.1080/09503110.2014.915110
G. Lelli
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引用次数: 17

Abstract

Abstract This article analyses the presence of Neo-Platonic ideas in the poetics of Ibn Khaldūn's (1332–1406). It particularly focuses on the sixth part of the Muqaddima, in which Ibn Khaldūn presents the Arab-Islamic system of knowledge. I argue that Ibn Khaldūn analyses poetry in terms of a peculiar kind of knowledge and that his views on poetry are largely dominated by a Neo-Platonic paradigm, deriving from Avicenna's Psychology and Sufism. I focus on four topics: the “weak” rational position of poetics among the sciences of logic; the rhetorical norm of muṭābaqa (“conformity” between “words” and “ideas”, and between “speech” and the “requirement of the situation”), the musical norm of talāʾum (appropriateness of note combinations) and the notion of poetical “models” (uslūb; pl. asālīb). My conclusion is that the Muqaddima provides the modern reader with a precious longue-durée overall view of pre-modern Arab-Islamic poetics.
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伊本Khaldūn《诗学》中的新柏拉图主义
本文分析了伊本Khaldūn(1332-1406)诗学中新柏拉图主义思想的存在。它特别侧重于muqaddma的第六部分,其中伊本Khaldūn介绍了阿拉伯-伊斯兰知识体系。我认为伊本Khaldūn以一种特殊的知识来分析诗歌,他对诗歌的看法在很大程度上受到新柏拉图主义范式的支配,这种范式源于阿维森纳的心理学和苏菲主义。我集中讨论了四个主题:诗学在逻辑科学中的“弱”理性地位;修辞学规范muṭābaqa(“词”与“意”之间的“一致性”,“言说”与“情境要求”之间的“一致性”),音乐规范talul - num(音符组合的适当性)和诗歌“模式”的概念(uslūb;pl.ālīb)。我的结论是,《穆卡迪马》为现代读者提供了一种宝贵的、长期的、全面的前现代阿拉伯-伊斯兰诗学观点。
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来源期刊
Al-Masaq-Journal of the Medieval Mediterranean
Al-Masaq-Journal of the Medieval Mediterranean MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.60
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发文量
35
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