{"title":"AN UNKNOWN TRIBUTE BY FARINELLI TO KING PHILIP V OF SPAIN","authors":"L. Tufano","doi":"10.1017/S1478570621000130","DOIUrl":null,"url":null,"abstract":"ABSTRACT Carlo Broschi, better known as Farinelli, arrived in Madrid on 7 August 1737. King Philip V and his wife Elisabeth Farnese were deeply impressed by his vocal qualities and invited him to remain in their service, on extremely rewarding terms. Although few sources concerning his first months in Spain are available, a newly discovered libretto, L'ombra di Luigi XIV il Grande, sheds light on his position at the Spanish court and his response to the privileged situation he enjoyed. The work is a short solo cantata commissioned by Farinelli and offered to Philip V for his name day in 1738. The title-page indicates Francesco Feo as the composer, but no sources for the musical setting have yet been located, nor any information about a performance of the work. This article examines the content of the cantata's text and situates it within what is known about the life of Farinelli. It also reconstructs in detail the literary career of the author of the text, Giuseppe di Rosa, who was also a magistrate and historian. Additionally, it links the genesis of this encomiastic piece with the activity of Giovanni Battista Filomarino, Neapolitan ambassador at the court of Madrid.","PeriodicalId":11521,"journal":{"name":"Eighteenth Century Music","volume":"2013 1","pages":"253 - 269"},"PeriodicalIF":0.1000,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Eighteenth Century Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/S1478570621000130","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT Carlo Broschi, better known as Farinelli, arrived in Madrid on 7 August 1737. King Philip V and his wife Elisabeth Farnese were deeply impressed by his vocal qualities and invited him to remain in their service, on extremely rewarding terms. Although few sources concerning his first months in Spain are available, a newly discovered libretto, L'ombra di Luigi XIV il Grande, sheds light on his position at the Spanish court and his response to the privileged situation he enjoyed. The work is a short solo cantata commissioned by Farinelli and offered to Philip V for his name day in 1738. The title-page indicates Francesco Feo as the composer, but no sources for the musical setting have yet been located, nor any information about a performance of the work. This article examines the content of the cantata's text and situates it within what is known about the life of Farinelli. It also reconstructs in detail the literary career of the author of the text, Giuseppe di Rosa, who was also a magistrate and historian. Additionally, it links the genesis of this encomiastic piece with the activity of Giovanni Battista Filomarino, Neapolitan ambassador at the court of Madrid.
1737年8月7日,卡洛·布罗斯基,也就是人们熟知的法里内利来到马德里。国王菲利普五世和他的妻子伊丽莎白·法尔内塞对他的声乐品质印象深刻,并邀请他继续为他们服务,条件非常优厚。虽然关于他在西班牙最初几个月的资料很少,但新发现的剧本《路易吉十四世大》(L'ombra di Luigi XIV il Grande)揭示了他在西班牙宫廷的地位,以及他对自己享有的特权地位的反应。这部作品是由法里内利委托创作的短独奏康塔塔,并于1738年献给菲利普五世以纪念他的命名日。标题页显示弗朗西斯科·费奥是作曲家,但没有找到音乐背景的来源,也没有任何关于作品表演的信息。本文考察了康塔塔的文本内容,并将其置于已知的法里内利的生活中。它还详细重建了文本作者朱塞佩·迪·罗莎的文学生涯,朱塞佩·迪·罗莎也是一名地方法官和历史学家。此外,它还将这首赞美诗的起源与那不勒斯驻马德里宫廷大使乔瓦尼·巴蒂斯塔·菲洛马里诺的活动联系起来。