Comforting and Sustaining Whiteness in the ‘Post-Racial’ Era: The Help, Collective Nostalgia, and White Ignorance

IF 0.6 Q3 COMMUNICATION Southern Communication Journal Pub Date : 2022-09-12 DOI:10.1080/1041794X.2022.2121003
John Russell
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Abstract

ABSTRACT By the spring of 2022 there were nearly 200 bills making their way through 40 state legislatures that explicitly prevented public schools from teaching “divisive subjects” that could make some students feel “discomfort.” Nearly all included language that banned supposed concepts of critical race theory (CRT) or the 1619 Project. The attacks on and misrepresentations of CRT illustrate whiteness’s preferred memory of U.S. history as a rhetorical vehicle for sustaining political, economic, and social power. I offer here an argument for what a preferred memory looks like, how it is constructed, and why. I suggest that popular American movies have overwhelmingly created discourses of race that comfort and sustain whiteness. I use the 2011 film, The Help to show how narratives comfort whiteness and define racism through collective nostalgia and intentional ignorance. I then identify several key strategies whiteness employs to “insulate itself against refutation” while reaffirming racism as strictly an interpersonal phenomenon.
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安慰和维持“后种族”时代的白人:帮助、集体怀旧和白人无知
截至2022年春天,美国40个州的立法机构提交了近200项法案,明确禁止公立学校教授可能让一些学生感到“不适”的“分裂科目”。几乎所有法案都包含了禁止所谓的批判种族理论(CRT)或1619计划概念的语言。对CRT的攻击和歪曲说明了白人更喜欢把美国历史作为维持政治、经济和社会权力的修辞工具。我在这里提出一个论点,说明首选记忆是什么样子的,它是如何构建的,以及为什么。我认为,流行的美国电影绝大多数都创造了种族话语,以安慰和维持白人。我用2011年的电影《帮助》(the Help)来展示叙事是如何通过集体怀旧和故意无知来安慰白人,并定义种族主义的。然后,我确定了白人使用的几个关键策略,以“使自己免受反驳”,同时重申种族主义是一种严格的人际现象。
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