{"title":"A Tale of Two Labels: The Use of \"Modernism\" and \"Avant-Garde\" in the Reception of Tom Mccarthy's c","authors":"D. Kersten, U. Wilbers","doi":"10.5325/reception.12.1.0021","DOIUrl":null,"url":null,"abstract":"abstract :This article presents the results of an innovative in-depth investigation of the reception of Tom McCarthy's novel C (2010), with the purpose of shedding more light on the use of labels associated with \"Modernism\" in the interpretation of contemporary British fiction. Focusing on the occurrence of the words \"Modernism\" and \"avant-garde,\" it combines quantitative analysis and detailed reading in order to answer the question how the two labels are defined when they are used in reference to C. The article aims to make a contribution to the on-going \"Metamodernism\" debate and its discussion of new developments in art after the demise of Postmodernism. Its main conclusion is that reviewers tend to interpret the two labels historically, which may be a consequence of the novel's setting in time. The research proves how essential it is to study the reception of novels across different cultural realities.","PeriodicalId":40584,"journal":{"name":"Reception-Texts Readers Audiences History","volume":"1 1","pages":"21 - 37"},"PeriodicalIF":0.1000,"publicationDate":"2020-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Reception-Texts Readers Audiences History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/reception.12.1.0021","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 1
Abstract
abstract :This article presents the results of an innovative in-depth investigation of the reception of Tom McCarthy's novel C (2010), with the purpose of shedding more light on the use of labels associated with "Modernism" in the interpretation of contemporary British fiction. Focusing on the occurrence of the words "Modernism" and "avant-garde," it combines quantitative analysis and detailed reading in order to answer the question how the two labels are defined when they are used in reference to C. The article aims to make a contribution to the on-going "Metamodernism" debate and its discussion of new developments in art after the demise of Postmodernism. Its main conclusion is that reviewers tend to interpret the two labels historically, which may be a consequence of the novel's setting in time. The research proves how essential it is to study the reception of novels across different cultural realities.
期刊介绍：
Reception: Texts, Readers, Audiences, History is a scholarly, peer-reviewed journal published once a year. It seeks to promote dialog and discussion among scholars engaged in theoretical and practical analyses in several related fields: reader-response criticism and pedagogy, reception study, history of reading and the book, audience and communication studies, institutional studies and histories, as well as interpretive strategies related to feminism, race and ethnicity, gender and sexuality, and postcolonial studies, focusing mainly but not exclusively on the literature, culture, and media of England and the United States.
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