“Be Not Afeared”

IF 0.2 4区 文学 0 LITERATURE RENASCENCE-ESSAYS ON VALUES IN LITERATURE Pub Date : 2019-12-17 DOI:10.5840/renascence201971313
Ahmet Süner
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Abstract

This paper looks at the thematic and rhetorical variations of a fundamental fear that frequently surfaces in Shakespeare’s The Tempest: the fear of illegitimate birth, which may also be understood as the fear of non-contractual sexuality. Sycorax is the prominent supernatural figure that the play deploys to depict unpredictable, indeterminate and horrible acts of creation unsanctioned by society. The paper shows how the fear of illegitimate birth not only shapes entire characters such as Sycorax and Caliban, but also infiltrates the language and figures that prevail in Prospero’s orchestrations of the marriage plot, his betrothal masque and his deployment of Greco-Roman mythologies (Hymen, Venus and Cupid). This fear is also connected with the play’s other fears and desires evoked in Gonzalo’s anarchist utopia and in the play’s preoccupations with the issue of legitimate government. The focus on the fear of illegitimate birth and non-contractual sexuality connects the different plot elements and rhetorical devices used in the play in a novel way, providing a plausible explanation for Prospero’s burst at Caliban in the masque scene and foregrounding (and hence doing justice to) the long-neglected figure of Sycorax.
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“不要害怕”
本文着眼于莎士比亚的《暴风雨》中经常出现的一种基本恐惧的主题和修辞变化:对私生子的恐惧,也可以理解为对非契约性行为的恐惧。西科拉克斯是剧中突出的超自然人物,他描绘了未经社会认可的不可预测、不确定和可怕的创造行为。这篇论文表明,对私生子的恐惧不仅塑造了Sycorax和Caliban这样的人物,而且渗透到普洛斯彼罗对婚姻情节、订婚面具和希腊罗马神话(处女膜、维纳斯和丘比特)的编排中盛行的语言和人物。这种恐惧也与冈萨洛的无政府主义乌托邦以及剧中对合法政府问题的关注所引发的其他恐惧和欲望联系在一起。对非法生育和非契约性行为的恐惧的关注以一种新颖的方式将戏剧中使用的不同情节元素和修辞手段联系起来,为普洛斯彼罗在假面戏中对卡利班的爆发提供了一个合理的解释,并为长期被忽视的人物锡科拉克斯提供了前景(因此公正地对待)。
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CiteScore
0.10
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发文量
11
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