{"title":"Concomitant Recital of a Prolonged Reign: Dilation of the Dutch Empire and Enticement of Ascendency, Delineating Batavia, Victim and Valedictorian","authors":"Siepan Khalil, Pakinam Zeid","doi":"10.25034/IJCUA.2018.4693","DOIUrl":null,"url":null,"abstract":"The VOC (Verenigde Oost-Indische Compagnie) was both the absolutist and the pacifier as it sought to colonize Sunda Kelapa through the displacement of the indigenous population, architecture, and regimen; the VOC was deployed catalyst to the marking of a golden era, roughly spanning the 17th century through which architecture, trade, science, and military boomed, marking Jakarta a resilient harbour to the world's finest trades. Batavia, modern-day Jakarta, welded a myriad of names, endorsing its irrefutable paramount; one of which, \"Queen of the East\", paraphrased an allusion to its urban beauty. Until its last derogatory stages, before the Dutch surrendered to the Japanese, the name Batavia ricocheted across the globe, as reverberation to its resilience, urban beauty, the varsity of cultures, and robust trade as the Dutch East India Company. The VOC has, unequivocally, paved the road of prominence for the glorious city of Jakarta, manifesting a discourse of exalting. Analysing the egress and relinquishment of the Dutch Empire and its appurtenant colony, delineating the urban tableau, a prevalent architectural resplendence. The unravelling of holistic fabric through which urban planning, architectonics, politics and sociology interweave, meandering the gradual transition of the Dutch East Indies, yearning subordinate to Jakarta; the unwavering proclaimed prerogative.","PeriodicalId":34438,"journal":{"name":"Journal of Contemporary Urban Affairs","volume":"44 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Contemporary Urban Affairs","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.25034/IJCUA.2018.4693","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The VOC (Verenigde Oost-Indische Compagnie) was both the absolutist and the pacifier as it sought to colonize Sunda Kelapa through the displacement of the indigenous population, architecture, and regimen; the VOC was deployed catalyst to the marking of a golden era, roughly spanning the 17th century through which architecture, trade, science, and military boomed, marking Jakarta a resilient harbour to the world's finest trades. Batavia, modern-day Jakarta, welded a myriad of names, endorsing its irrefutable paramount; one of which, "Queen of the East", paraphrased an allusion to its urban beauty. Until its last derogatory stages, before the Dutch surrendered to the Japanese, the name Batavia ricocheted across the globe, as reverberation to its resilience, urban beauty, the varsity of cultures, and robust trade as the Dutch East India Company. The VOC has, unequivocally, paved the road of prominence for the glorious city of Jakarta, manifesting a discourse of exalting. Analysing the egress and relinquishment of the Dutch Empire and its appurtenant colony, delineating the urban tableau, a prevalent architectural resplendence. The unravelling of holistic fabric through which urban planning, architectonics, politics and sociology interweave, meandering the gradual transition of the Dutch East Indies, yearning subordinate to Jakarta; the unwavering proclaimed prerogative.
VOC (Verenigde Oost-Indische Compagnie)既是专制主义者,也是安抚者,因为它试图通过取代土著人口、建筑和制度来殖民Sunda Kelapa;VOC被用作催化剂,标志着一个黄金时代的到来,这个时代大致跨越了17世纪,建筑、贸易、科学和军事蓬勃发展,标志着雅加达成为世界上最好的贸易的弹性港口。巴达维亚,现代的雅加达,汇集了无数的名字,证明了它无可辩驳的至高无上的地位;其中一首名为“东方女王”,意指其城市之美。直到最后的贬义阶段,在荷兰人向日本投降之前,巴达维亚这个名字在全球范围内回响着它的韧性、城市美景、文化多样性和荷兰东印度公司(Dutch East India Company)的强劲贸易。VOC毫不含糊地为雅加达这座光荣的城市铺平了道路,展现了一种崇高的话语。分析荷兰帝国及其附属殖民地的退出和放弃,描绘城市图景,一个普遍的建筑辉煌。城市规划、建筑学、政治学和社会学交织在一起,呈现出荷兰东印度群岛的逐渐过渡,渴望从属于雅加达;坚定不移的特权。