“My Children, Read This Passage Every Year”: Composition and Meaning in Pesikta de-Rav Kahana by Arnon Atzmon (review)

Amit Gvaryahu
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Abstract

robust cultural contextualization of hospitality within the Christian, Roman, or Sasanian worlds. To be sure, Kiperwasser introduces these other cultural contexts in a number of instances (such as bathhouse etiquette [68–69], perceptions of dancing [87], and parallels to Greek tales [159]); but, given the importance of assumptions surrounding the roles of host and guest for the book’s analysis as a whole, treatment of other ancient attitudes toward hospitality would have made the author’s reading of the rabbinic examples more compelling. The second underdeveloped dimension is that, at times, Kiperwasser does not connect the dots between the quoted passages and the author’s interpretation. For example, although the work engages with theories of humor (e.g., 40–42 and 75–77), episodes assumed to be humorous are not always demonstrated to be so (e.g., 164–65). Likewise, at times Kiperwasser moves swiftly from an elucidating summary of a narrative to its theoretical implications without fully linking the concrete episode and the abstract conclusions. These gaps leave some analyses open to ambiguity and debate. Going West presents us with the first systematic study of intrarabbinic hospitality narratives. Weaving together narratological, theoretical, and cultural lenses, Kiperwasser provides the reader with helpful insights into the relationship between rabbis of these different geographic centers and, more importantly, with a nuanced conception of the role of internal Others for defining the rabbinic self. This work is a welcome contribution to the study of interactions between the two main talmudic centers of rabbinic activity and the nature of identity construction of religious elites in antiquity.
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《我的孩子们,每年读这篇文章》:《Pesikta de-Rav Kahana》的构成与意义,作者:Arnon Atzmon
在基督教、罗马或萨珊王朝的世界里,好客的强大文化背景。可以肯定的是,Kiperwasser在许多实例中引入了这些其他的文化背景(例如澡堂礼仪[68-69],舞蹈的感知[87],以及与希腊故事的相似之处[159]);但是,考虑到围绕主人和客人角色的假设对于本书整体分析的重要性,对其他古代待客态度的处理将使作者对拉比例子的阅读更具说服力。第二个不完善的方面是,Kiperwasser有时没有把引用的段落和作者的解释联系起来。例如,尽管该作品涉及幽默理论(例如,40-42和75-77),被认为是幽默的情节并不总是被证明是如此(例如,164-65)。同样地,Kiperwasser有时也会迅速地从对叙述的阐述总结过渡到其理论含义,而没有将具体情节和抽象结论完全联系起来。这些差距使得一些分析存在歧义和争议。《西行》向我们展示了第一部关于阿拉伯语内好客叙事的系统研究。Kiperwasser将叙事、理论和文化的镜头编织在一起,为读者提供了对这些不同地理中心的拉比之间关系的有益见解,更重要的是,对定义拉比自我的内部他者角色的细致入微的概念。这项工作对于研究拉比活动的两个主要塔木德中心之间的相互作用以及古代宗教精英身份建构的本质是一个受欢迎的贡献。
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