Making raw materials: innovation and imported technology in Meiji Japan

IF 1 1区 历史学 Q1 HISTORY History and Technology Pub Date : 2022-07-03 DOI:10.1080/07341512.2022.2100970
Aleksandra Kobiljski, S. Teasley
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引用次数: 1

Abstract

ABSTRACT This article explores coal and wood manufacturing in late nineteenth- and early twentieth-century Japan as the empirical sites for understanding the material gaps between industrial inputs available locally and the affordances of imported technology. It demonstrates how the process of making coking coals for steel smelting and wooden boards for furniture-making challenge a conceptual framework that assumes that raw materials exist on one side of a binary and manufactured goods on the other. Instead, this article foregrounds the creative ways in which actors approached, redesigned and manufactured raw materials locally, to make them comply with the constraints of imported technologies. In doing so, the article provides a useful counterbalance to scholarly explorations that anchor modern Japan in notions of technology transfer and appropriation, thus failing to recognize the creative labour necessary to making imported technologies work on local ground. By focussing on the labour of matching materials to hardware, this article restores to the historical record the creativity and innovation that formed the fabric of the first wave of Japan’s industrialisation and nuances our understanding of raw materials in the history of technology in general.
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制造原材料:日本明治时期的创新与引进技术
本文探讨了19世纪末和20世纪初日本的煤炭和木材制造业,作为了解当地工业投入与进口技术的供给之间的物质差距的经验站点。它展示了制造炼钢用焦煤和制造家具用木板的过程如何挑战了一个概念框架,即假设原材料存在于二元结构的一边,而制成品存在于另一边。相反,本文强调了参与者在当地获取、重新设计和制造原材料的创造性方式,以使其符合进口技术的限制。在此过程中,这篇文章提供了一个有用的平衡,以抵消学术探索将现代日本固定在技术转让和挪用的概念上,从而未能认识到使进口技术在当地发挥作用所必需的创造性劳动。通过关注将材料与硬件相匹配的劳动,本文还原了历史记录中构成日本第一波工业化浪潮的创造力和创新,并使我们对技术史上原材料的理解有了细微的变化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.60
自引率
16.70%
发文量
18
期刊介绍: History and Technology serves as an international forum for research on technology in history. A guiding premise is that technology—as knowledge, practice, and material resource—has been a key site for constituting the human experience. In the modern era, it becomes central to our understanding of the making and transformation of societies and cultures, on a local or transnational scale. The journal welcomes historical contributions on any aspect of technology but encourages research that addresses this wider frame through commensurate analytic and critical approaches.
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