"[W]hat Beauty in Oriental Art Means"

IF 0.3 0 ART Museum Worlds Pub Date : 2019-07-01 DOI:10.3167/armw.2019.070105
James Beattie, L. Stevenson
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引用次数: 1

Abstract

This article presents new historical research on Asian art—particularly Chinese art—in New Zealand through the examination of the content and reception of the Loan Exhibition of Oriental Art, which was held in Christchurch from May to June 1935. It situates the exhibition within the context of Depression-era New Zealand, examines the place of Chinese art, in particular, in the developing cultural nationalism of New Zealand of this period, and highlights the role of one local connoisseur in the making of the exhibition. Moreover, the article’s focus on the southern hemisphere fills a gap in global histories of Chinese art exhibition in this period.
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“东方艺术中的美意味着什么?”
本文通过考察1935年5月至6月在克赖斯特彻奇举行的东方艺术外借展的内容和接受情况,介绍了新西兰对亚洲艺术,特别是中国艺术的新的历史研究。它将展览置于大萧条时期新西兰的背景下,审视中国艺术的地位,特别是在这一时期新西兰文化民族主义的发展中,并突出了一位当地鉴赏家在展览制作中的作用。此外,本文对南半球的关注填补了这一时期中国艺术展览全球史的空白。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.00
自引率
15.40%
发文量
0
审稿时长
16 weeks
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