Gender and aesthetic norms in popular hygienic culture in Germany from 1900 to 1914.

M. Hau
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引用次数: 6

Abstract

The paper concerns the construction of gender norms in popular hygienic literature at the turn of the century. It argues that the formulation of aesthetic gender norms for women's and men's bodies was a response to social developments which were perceived as a threat to the middle-class ideology of separate spheres for the sexes. Concerns about the blurring of gender distinctions were expressed in the aesthetic idiom of the educated middle class. Aesthetic norms for each sex were established and contrasted with the degenerate body forms of contemporaries. The spectre of masculinized women and feminized men was raised, reflecting a deep-seated uneasiness about changing gender roles and identities. The increasing assertiveness of women as expressed in feminist activism was interpreted by anti-feminist authors as a sign of degeneracy. For these authors any articulation of self-interest by women was suspect. Strong sexual desires of women which could serve as the basis for the independent articulation of female sexual interests were denied or declared as abnormal. Feminist critics argued that it was the lack of economic and social independence of women which was the reason for the declining health and beauty of the female sex.
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1900 - 1914年德国流行卫生文化中的性别与审美规范。
本文探讨了世纪之交流行卫生文学中性别规范的建构。它认为,对女性和男性身体的审美性别规范的制定是对社会发展的一种反应,这种发展被认为是对中产阶级男女分开领域的意识形态的威胁。受过教育的中产阶级的审美习惯表达了对性别差异模糊化的担忧。确立了男女的审美规范,并与同时代人堕落的形体形成对比。男性化的女性和女性化的男性的幽灵上升,反映了对改变性别角色和身份的根深蒂固的不安。在女权主义运动中表现出来的女性越来越自信,被反女权主义作家解读为堕落的标志。对这些作者来说,女性对自身利益的任何表述都是可疑的。女性强烈的性欲本可以作为女性性兴趣独立表达的基础,却被否定或宣布为不正常。女权主义评论家认为,女性缺乏经济和社会独立性是女性健康和美貌下降的原因。
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