Afterword

IF 0.3 0 ART Museum Worlds Pub Date : 2020-07-01 DOI:10.3167/armw.2020.080108
Christina Kreps
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引用次数: 1

Abstract

Writing at the midpoint of 2020, it has become cliché to say we are living in unprecedented times as the world copes with a confluence of events and challenges near cataclysmic proportions—the COVID-19 pandemic, civic unrest, social and political upheavals, and disrupted economies. In these times, what should be the work of culture, heritage, and musealized spaces and those that study them? I reflect on the articles in the special section, which stand as examples of engaged research and scholarship that seek to make visible troubled histories and presents, and to amplify voices that have for too long been silenced or ignored. Such visibility work surfaces what does and does not have precedent, what has and has not changed, and what is truly different and revolutionary. The articles draws on historical, comparative, and global perspectives to enrich knowledge gained from firsthand observation and engagement with local communities. Using Donna Haraway’s concept of “tentacular thinking,” I argue that we need not only to shed light on difficult chapters in our histories, but also to offer tools for understanding, guidance, and thoughtful actions in the present.
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后记
在2020年中期,我们生活在一个前所未有的时代,因为世界正在应对一系列事件和挑战——COVID-19大流行、内乱、社会和政治动荡以及经济中断——这已经成为老生常谈。在这个时代,文化、遗产和博物馆化空间以及研究它们的人应该做些什么?我仔细思考了特刊上的文章,这些文章代表了积极参与的研究和学术研究,它们试图让混乱的历史和现状变得清晰可见,并放大长期以来被沉默或忽视的声音。这种可见性的工作显示了什么有先例,什么没有先例,什么已经改变,什么没有改变,什么是真正不同的和革命性的。这些文章借鉴了历史、比较和全球视角,丰富了从第一手观察和与当地社区接触中获得的知识。运用唐娜·哈拉威的“触手思维”概念,我认为我们不仅需要阐明我们历史上的困难章节,而且还需要为理解、指导和深思熟虑的行动提供工具。
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来源期刊
CiteScore
1.00
自引率
15.40%
发文量
0
审稿时长
16 weeks
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