Postmodernism in Visual Arts Lesson and Its Reflections on Students

Ismail Tetikci, Gonca Erim, Kevser Baykan
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Abstract

Postmodernism emerged as a movement that opposed the dominant views of modernism in the field of art. Postmodernism, which originated in architecture and gradually influenced many areas of art, is discussed in this study with a focus on painting and visual arts education. In high school programs in Turkey, it is important for students to be able to examine the past, embrace the present, the era, and the postmodern way of thinking. When the relevant literature was reviewed, it was determined that there is no research on how postmodernism is used in art education in terms of student learning outcomes. The aim of this research is to determine how high school visual arts teachers incorporate the postmodernism movement into their teaching and to identify any changes in students’ interest levels in the course. In this study, a qualitative research method was used, specifically the case study design. The sample of the study consisted of four visual arts teachers who work in one central and three district schools in Yalova province. Two semi-structured interview forms and document analysis were used as data collection tools. The findings were analyzed using thematic analysis. According to the research findings, it was determined that the participating teachers conveyed the artistic and intellectual structure of postmodernism to students through various teaching methods during the lesson process. However, they were unable to achieve all the learning outcomes related to postmodernism. The study also revealed that students demonstrated changes in the methods they preferred to employ in their artwork after learning about postmodernism and being exposed to examples of postmodern art. Moreover, students provided both positive and negative critiques, reflecting their aesthetic perspectives on postmodern artworks. This research is considered important in terms of serving as an example for teachers and contributing to the literature.
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视觉艺术课中的后现代主义及其对学生的思考
后现代主义作为一种反对现代主义在艺术领域占主导地位的观点的运动而出现。后现代主义起源于建筑,并逐渐影响到艺术的许多领域,在本研究中重点讨论了绘画和视觉艺术教育。在土耳其的高中课程中,重要的是让学生能够审视过去,拥抱现在,时代和后现代的思维方式。在回顾相关文献时,我们发现没有关于后现代主义如何在艺术教育中应用于学生学习成果的研究。本研究的目的是确定高中视觉艺术教师如何将后现代主义运动融入他们的教学中,并确定学生对课程兴趣水平的任何变化。本研究采用定性研究方法,具体为案例研究设计。该研究的样本包括四名视觉艺术教师,他们在亚洛瓦省的一所中心学校和三所地区学校工作。采用两种半结构化访谈形式和文献分析作为数据收集工具。研究结果采用主题分析法进行分析。根据研究结果,确定参与教师在课堂过程中通过各种教学方法向学生传达后现代主义的艺术和智力结构。然而,他们无法达到所有与后现代主义相关的学习成果。研究还显示,在学习后现代主义和接触后现代艺术的例子后,学生们在他们的艺术作品中表现出了他们喜欢使用的方法的变化。此外,学生们提供了积极和消极的评论,反映了他们对后现代艺术作品的审美观点。这项研究被认为是重要的,为教师提供了一个例子,并为文献做出了贡献。
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