How the Triad Took (a) Root

IF 0.7 1区 艺术学 0 MUSIC JOURNAL OF MUSIC THEORY Pub Date : 2022-04-01 DOI:10.1215/00222909-9534127
Caleb Mutch
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Abstract

This article illuminates the modern concept of the triadic root by analyzing that concept and explaining how the English-speaking world came to refer to it with the term root. To do so, it begins by identifying five subconcepts on which theorists have drawn when explaining and applying the root concept in their treatises. The article then addresses the origin of the term root in English-language theory, noting that the term first emerged only in 1806, far later than its modern-day ubiquity would suggest. This late emergence is explained as a side effect of the idiosyncratic state of triadic theorizing in eighteenth-century Britain. The author advances a new interpretation that, as a result of the overtone-based preoccupations of erudite authors and the particular emphases of thoroughbass teachers, British theorists did not use a fully realized triadic theory until much later than has been supposed. The conclusion of the article traces the process by which the term root gained ascendancy in English texts and considers how this history fits into larger trends of thoroughbass and harmony instruction.
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三合会是如何扎根的
本文通过分析三元词根的现代概念,并解释英语世界是如何用“根”一词来指代三元词根的。要做到这一点,首先要确定理论家在他们的论文中解释和应用根概念时所绘制的五个子概念。文章接着阐述了这个词在英语理论中的起源,指出这个词最早出现于1806年,远远晚于它现在无处不在的样子。这种晚近的出现被解释为十八世纪英国三位一体理论的特殊状态的副作用。作者提出了一种新的解释,即由于博学的作者以泛音为基础的关注和彻底的教师的特别强调,英国理论家直到很久以后才使用完全实现的三元理论。文章的结语部分追溯了“根”一词在英语文本中占据主导地位的过程,并思考了这一历史如何适应全面和谐教学的大趋势。
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CiteScore
1.40
自引率
0.00%
发文量
12
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