ECH comes of age for magnetic fusion research

IF 0.3 1区 艺术学 0 MUSIC NINETEENTH CENTURY MUSIC Pub Date : 2002-11-07 DOI:10.1109/FUSION.2002.1027659
J. Lohr, S. Delaware, R. Callis, W. Cary, J. Deboo, J. Doane, I. Gorelov, R. L. La Haye, H. Grunloh, C. Petty, R. Pinsker, D. Ponce, R. Prater, S. Pronko
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引用次数: 3

Abstract

Advances in gyrotron technology are resulting in new capabilities and scientific results on magnetic confinement devices for fusion research worldwide. Unit output power of 1 MW and higher, at frequencies greater than 100 GHz and quasi-cw operation have become possible. This has led to successful experiments on electron cyclotron heating, electron cyclotron current drive, non-inductive tokamak operation, tokamak energy transport, suppression of instabilities and advanced profile control leading to enhanced performance. The synthetic diamond gyrotron output window is being developed as the answer to the requirement for a low loss blocking window with excellent thermal and mechanical properties and the potential for cw operation at high power. Ancillary equipment for efficient microwave transmission over distances of hundreds of meters, polarization control, diagnostics and flexible launch geometry have all been developed and proven in regular service. There now is excellent convergence between the experimental measurements and theoretical understanding of the heating and current drive mechanisms. The reliability of high power gyrotron installations is at the level previously achieved by neutral beam systems.
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ECH已经到了进行磁融合研究的年龄
回旋管技术的进步为世界范围内核聚变研究磁约束装置带来了新的能力和科学成果。单位输出功率为1mw或更高,频率大于100ghz和准连续波工作已成为可能。这导致了在电子回旋加速器加热、电子回旋加速器电流驱动、无感托卡马克操作、托卡马克能量传输、抑制不稳定性和先进的轮廓控制方面的成功实验,从而提高了性能。合成金刚石回旋管输出窗口是为了满足低损耗阻挡窗口的需求而开发的,该窗口具有优异的热学和机械性能,并且具有在高功率下连续波工作的潜力。辅助设备用于数百米距离的高效微波传输、极化控制、诊断和灵活的发射几何形状,这些都已开发并在常规服务中得到验证。现在在加热和电流驱动机制的实验测量和理论理解之间有很好的收敛。高功率回旋管装置的可靠性达到了中性光束系统以前达到的水平。
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
11
期刊介绍: 19th-Century Music covers all aspects of Western art music between the mid-eighteenth and mid-twentieth centuries. We welcome--in no particular order--considerations of composers and compositions, styles, performance, historical watersheds, cultural formations, critical methods, musical institutions, ideas, and topics not named on this list. Our aim is to publish contributions to ongoing conversations at the leading edge of musical and multidisciplinary scholarship.
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