LINGUISTIC ICONOGRAPHY AND MUSIC AS THE EMBODIMENT OF MEANINGS

IF 0.5 Q4 COMMUNICATION Doxa Comunicacion Pub Date : 2022-03-25 DOI:10.18524/2410-2601.2021.2(36).246778
O. Gomilko
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引用次数: 0

Abstract

The interaction of philosophy and literature is clarified in the relationship between literature and music. As distinct genres of art, literature and music have much in common when we consider them in the theoretical context of overcoming the traditional dichotomy of mind and body. The phenomenon of so-called linguistic iconography illustrates the movement of literature beyond the substantial split of man into mind and body. Music also avoids this dichotomy, denying the difference between subject and form. Then the form does not symbolize or express something, but represents a musical meaning. In both cases, literature and music produce embodied meanings, that is, those that lie in reality itself. Semantic poverty and fixation on real linguistic iconography and music enable the process of embodiment of meanings. Perception of the latter involves the use of not only mental but also bodily abilities of man in their cognitive integrity.
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语言意象学和音乐作为意义的体现
文学与音乐的关系是哲学与文学的互动关系。作为不同的艺术流派,当我们在克服传统的身心二分法的理论背景下考虑它们时,文学和音乐有很多共同点。所谓的语言意象现象说明了文学的运动超越了人的精神和身体的实质分裂。音乐也避免这种二分法,否认主题和形式之间的区别。那么形式就不是象征或表达什么,而是代表一种音乐意义。在这两种情况下,文学和音乐都产生了具体化的意义,即存在于现实本身的意义。语义的贫乏和对真实语言形象和音乐的执着使意义的体现成为可能。对后者的感知不仅涉及到人类在认知完整性方面的精神能力,也涉及到人类身体能力的运用。
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来源期刊
Doxa Comunicacion
Doxa Comunicacion COMMUNICATION-
CiteScore
1.00
自引率
16.70%
发文量
38
审稿时长
12 weeks
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