Performing Sanctuary

Q1 Social Sciences Migration and Society Pub Date : 2021-06-01 DOI:10.3167/arms.2021.040108
Rebecca M. Schreiber
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引用次数: 2

Abstract

This article examines how Central American migrant and refugee youth imagine forms of sanctuary through collaborative artwork as part of a series of Arte Urgente (Urgent Art) workshops led by artist Caleb Duarte. This artwork involved a critical embodiment and reenvisioning of their past and present experiences in the form of performance. In addition, their creation of a symbolic Embassy of the Refugee was an imaginative way of asserting their right to protection. This article examines how members of affected communities have made artistic interventions into public spaces to focus attention on the nation-state as a site of crisis as well as envision autonomous, noninstitutional sanctuary spaces for each other, while also engaging in ongoing practices of solidarity with other displaced people.
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执行保护区
这篇文章探讨了中美洲移民和难民青年如何通过合作艺术品想象庇护所的形式,这是艺术家Caleb Duarte领导的一系列Arte Urgente(紧急艺术)研讨会的一部分。这件作品以表演的形式对他们的过去和现在的经历进行了批判性的体现和重新设想。此外,他们设立了一个象征性的难民大使馆,这是一种富有想象力的维护难民受保护权利的方式。本文探讨了受影响社区的成员如何通过艺术干预进入公共空间,将人们的注意力集中在作为危机场所的民族国家上,并为彼此设想自治的、非机构的庇护空间,同时也参与了与其他流离失所者团结一致的持续实践。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
3.60
自引率
0.00%
发文量
17
审稿时长
40 weeks
期刊最新文献
The “Transnational Business of Death” Among Somali Migrants in the Streets of Athens Enacting “Bottom-up” Solidarity in Labor Market Integration for Refugees in England The Gendered Necropolitics of Migration Control in a French Postcolonial Periphery Writing as Living On Using Photovoice to Explore Migrant Women's Sociospatial Engagement in Diverse Local Urban Areas of Santiago, Chile
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