Shaping Our Australian Scenographic Identities: A visual essay

IF 0.1 4区 艺术学 0 MUSIC AVANT SCENE OPERA Pub Date : 2021-12-01 DOI:10.1386/scene_00041_3
Tessa Rixon, Jennifer Irwin, David Walters, Jeremy Neideck, M’ck McKeague, Richard Roberts, A. Brumpton, Latai Taumoepeau
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Abstract

In the form of a visual essay, this reflection charts a course through eight specific moments in Australian performance design history. Selected by guest editor Tessa Rixon, this essay features contributions from Australia’s most established designers from sound, lighting and costume through to the latest in performance design practice and research. Specially curated for this special edition on Australian scenography, each contributor reflects on a personal experience of a pivotal performance design from their own practice or their experience as an audience member. The resulting contributions present a mix of design forms and focuses, across all forms of live performance ‐ mainstage theatre, independent site-specific performance, queer theatre, Indigenous theatre, Indigenous dance, scenography for performance beyond the stage frame, performance in response to the climate crisis and finally, a few pivotal stepping stones in our national scenographic identity ‐ from the very personal, to the very global. These exemplars of design practice shape what we now could call Australian scenography.
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塑造我们的澳大利亚景观身份:一篇视觉文章
以一篇视觉文章的形式,这个反思通过澳大利亚行为设计历史上的八个特定时刻来描绘过程。这篇文章由特邀编辑Tessa Rixon挑选,从声音、灯光和服装到最新的表演设计实践和研究,都是澳大利亚最知名的设计师的贡献。本次特别策划的澳大利亚舞台设计专题,每位撰稿人都从自己的实践或作为观众的经验中反思了一个关键的表演设计的个人经验。由此产生的贡献呈现了各种设计形式和重点,涵盖了所有形式的现场表演-主舞台戏剧,独立的特定场地表演,酷儿戏剧,土著戏剧,土著舞蹈,舞台框架之外的表演舞台,应对气候危机的表演,最后是我们国家舞台身份的几个关键垫脚石-从非常个人的,到非常全球的。这些设计实践的范例塑造了我们现在所说的澳大利亚场景学。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
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期刊介绍: L’Avant-Scène Opéra est une revue bimestrielle qui consacre chaque édition à l"étude complète d"un opéra, avec : • Livret intégral bilingue • Commentaire musical et littéraire • Discographie et Vidéographie comparées • Etudes des sources et des personnages • Chronologie des grandes productions
期刊最新文献
Don Pasquale, Opera by Gaetano Donizetti, Damiano Michieletto (dir.) Oxford town, Oxford town: Music scenes in a small English city Performance in the pandemic Experiencing Renaissance theatre on Zoom: The creation of action choreography for online theatre and its unexpected insights into Renaissance theatre ‘Keep people safe’: Designing a participatory performance within the strict parameters of social distancing in Australia
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