{"title":"Displacement in NoViolet Bulawayo’s We Need New Names","authors":"J. Alexander","doi":"10.1080/10131752.2023.2195146","DOIUrl":null,"url":null,"abstract":"Abstract Displacement has been a major theme in African literature and, arguably, a central preoccupation of African diasporic fiction on migration. This article examines three intertwined levels of displacement in NoViolet Bulawayo’s We Need New Names (London: Vintage, 2013). The first level is the internal displacement suffered by Zimbabweans in the aftermath of Operation Murambatsvina in 2005, which was purportedly aimed at cleansing urban areas of rubbish. The second level concerns the resultant emigration of Zimbabweans to other southern African countries to escape poverty. The third is exemplified by the illegal emigration of Bulawayo’s protagonist, Darling, to the USA. I argue that the three levels of displacement are rooted in the abjection induced by political, economic, and social disintegration. The analysis reveals why the characters in We Need New Names cannot enjoy the Afropolitan identity of characters in the works of diasporic authors like Taiye Selasi and Ngozi Chimamanda Adichie. The analysis counters Helon Habila’s criticism of Bulawayo’s novel as “poverty porn” and adds context to the discourse on migration, both legal and illegal, within and out of Africa.","PeriodicalId":41471,"journal":{"name":"English Academy Review-Southern African Journal of English Studies","volume":"22 1","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2023-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"English Academy Review-Southern African Journal of English Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10131752.2023.2195146","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LANGUAGE & LINGUISTICS","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract Displacement has been a major theme in African literature and, arguably, a central preoccupation of African diasporic fiction on migration. This article examines three intertwined levels of displacement in NoViolet Bulawayo’s We Need New Names (London: Vintage, 2013). The first level is the internal displacement suffered by Zimbabweans in the aftermath of Operation Murambatsvina in 2005, which was purportedly aimed at cleansing urban areas of rubbish. The second level concerns the resultant emigration of Zimbabweans to other southern African countries to escape poverty. The third is exemplified by the illegal emigration of Bulawayo’s protagonist, Darling, to the USA. I argue that the three levels of displacement are rooted in the abjection induced by political, economic, and social disintegration. The analysis reveals why the characters in We Need New Names cannot enjoy the Afropolitan identity of characters in the works of diasporic authors like Taiye Selasi and Ngozi Chimamanda Adichie. The analysis counters Helon Habila’s criticism of Bulawayo’s novel as “poverty porn” and adds context to the discourse on migration, both legal and illegal, within and out of Africa.
期刊介绍:
The English Academy Review: A Journal of English Studies (EAR) is the journal of the English Academy of Southern Africa. In line with the Academy’s vision of promoting effective English as a vital resource and of respecting Africa’s diverse linguistic ecology, it welcomes submissions on language as well as educational, philosophical and literary topics from Southern Africa and across the globe. In addition to refereed academic articles, it publishes creative writing and book reviews of significant new publications as well as lectures and proceedings. EAR is an accredited journal that is published biannually by Unisa Press (South Africa) and Taylor & Francis. Its editorial policy is governed by the Council of the English Academy of Southern Africa who also appoint the Editor-in-Chief for a three-year term of office. Guest editors are appointed from time to time on an ad hoc basis.