Spherical encounters of the Anthropocene: from Telescope to Kaleidoscope

IF 0.1 0 FILM, RADIO, TELEVISION Ekphrasis-Images Cinema Theory Media Pub Date : 2020-12-15 DOI:10.24193/ekphrasis.24.8
A. Muntean
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引用次数: 1

Abstract

: Spherical encounters of the Anthropocene refers to the impact of humanity’s global ecological footprint that is addressed through the metaphor of the spheres. The new human-generated Anthropo-Noo-spheres and their interaction with the Spheres of Earth are tackled through ecocritical investigation showcasing the diverse representational modalities and intermedial expressions found in the Planetarium and artistic spherical environments. The technological requirements for high quality geoscientific visualizations have taken about a decade longer to mature than the astronomical features of digital planetariums, but Earth System Science is finally adopted by the Planetarium and artists. From Telescope to Kaleidoscope refers to the transition between the emergence of the modern scientific, telescopic viewpoint, and the increasing rationalization and bureaucratization of society enabled by the technological and economic advances of the age, that created a sense of alienation of the individual, from the natural environment and the social other, to an environmental re-enchantment , a regaining of our sense of wonder and awe brought back by the kaleidoscopic visions artists apply to these spherical mediums. As this article seeks to demonstrate, the scientific and imaginative visions fused into interconnected, parallel universes can challenge our mundane notions opening up new causal connections, creating exciting discoveries, all under the notion of Anthropocene. However, these spherical environments showcasing kaleidoscopic visions are not an aestheticization of the Anthroposphere, but a testimony that artists as antennas capture and showcase the contemporary human sentiment, topics and observations by conveying experiential projects which involve strategies to forge communities, to re-build lost paradises, to re-connect us with the sky and earth, to foster regeneration and new sustainable systems and to ask future questions. Through the stylistic element of the Cosmic Zoom, we are travelling from the unknown of the outer space to the inner reaches of our human heart. Alice, Google and we anthropomorphised artificial intelligence –powered voice assistants in our homes or in our hands for weather, news, homework help and such. The Future Room is both utopia and dystopia. According to the project’s motto, the Future Room provides thought and visions for the future. Encapsulated in a cloud of information, the future will only be visible where we strive to imagine it. From abstract generative animations to politically relevant statements, the animations treat the dome as an intermediary membrane between the inside and the outside, a thin layer between disenchantment and re-enchantment. The project allows for multiple, non-hierarchical entry and exit points in data representation and interpretation. It is very true that the method of our time is to use not a single but multiple models for exploration.
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人类世的球形相遇:从望远镜到万花筒
人类世的球形遭遇是指人类全球生态足迹的影响,通过球体的隐喻来解决。新的人类创造的“人类- noo -球体”及其与地球球体的相互作用,通过生态批评调查来解决,展示了在天文馆和艺术球形环境中发现的各种代表性形式和中间表达。高质量的地球科学可视化的技术要求比数字天文馆的天文特征长了大约十年的时间才成熟,但地球系统科学最终被天文馆和艺术家采用。“从望远镜到万花筒”指的是现代科学、望远镜视角的出现,以及这个时代的技术和经济进步所带来的社会日益合理化和官僚化之间的过渡,这种过渡造成了个人的异化感,从自然环境和社会他者,到环境的再陶醉,艺术家运用于这些球形媒介的万花筒般的视觉,重新唤起了我们的惊奇和敬畏感。正如本文试图证明的那样,科学和想象的愿景融合在相互关联的平行宇宙中,可以挑战我们世俗的观念,开辟新的因果关系,创造令人兴奋的发现,所有这些都是在人类世的概念下。然而,这些展示万花筒愿景的球形环境并不是人类圈的审美化,而是艺术家作为天线捕捉和展示当代人类情感、话题和观察的见证,通过传达体验项目,这些项目涉及锻造社区、重建失去的天堂、重新连接我们与天空和地球的策略,促进再生和新的可持续系统,并提出未来的问题。通过Cosmic Zoom的风格元素,我们正在从未知的外太空旅行到我们人类内心的深处。爱丽丝、谷歌和我们都拟人化了人工智能语音助手,这些语音助手可以出现在我们的家中或手中,提供天气、新闻、家庭作业帮助等等。未来之屋既是乌托邦也是反乌托邦。根据该项目的座右铭,未来房间提供了对未来的思考和愿景。包裹在信息云中,未来只会在我们努力想象的地方可见。从抽象的生成动画到政治相关的陈述,这些动画将穹顶视为内部与外部之间的中间膜,是祛魅与再魅之间的薄层。该项目允许在数据表示和解释中使用多个非分层入口和出口点。的确,我们这个时代的方法是使用多种模型而不是单一模型进行探索。
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来源期刊
Ekphrasis-Images Cinema Theory Media
Ekphrasis-Images Cinema Theory Media FILM, RADIO, TELEVISION-
CiteScore
0.10
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发文量
8
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