{"title":"Spherical encounters of the Anthropocene: from Telescope to Kaleidoscope","authors":"A. Muntean","doi":"10.24193/ekphrasis.24.8","DOIUrl":null,"url":null,"abstract":": Spherical encounters of the Anthropocene refers to the impact of humanity’s global ecological footprint that is addressed through the metaphor of the spheres. The new human-generated Anthropo-Noo-spheres and their interaction with the Spheres of Earth are tackled through ecocritical investigation showcasing the diverse representational modalities and intermedial expressions found in the Planetarium and artistic spherical environments. The technological requirements for high quality geoscientific visualizations have taken about a decade longer to mature than the astronomical features of digital planetariums, but Earth System Science is finally adopted by the Planetarium and artists. From Telescope to Kaleidoscope refers to the transition between the emergence of the modern scientific, telescopic viewpoint, and the increasing rationalization and bureaucratization of society enabled by the technological and economic advances of the age, that created a sense of alienation of the individual, from the natural environment and the social other, to an environmental re-enchantment , a regaining of our sense of wonder and awe brought back by the kaleidoscopic visions artists apply to these spherical mediums. As this article seeks to demonstrate, the scientific and imaginative visions fused into interconnected, parallel universes can challenge our mundane notions opening up new causal connections, creating exciting discoveries, all under the notion of Anthropocene. However, these spherical environments showcasing kaleidoscopic visions are not an aestheticization of the Anthroposphere, but a testimony that artists as antennas capture and showcase the contemporary human sentiment, topics and observations by conveying experiential projects which involve strategies to forge communities, to re-build lost paradises, to re-connect us with the sky and earth, to foster regeneration and new sustainable systems and to ask future questions. Through the stylistic element of the Cosmic Zoom, we are travelling from the unknown of the outer space to the inner reaches of our human heart. Alice, Google and we anthropomorphised artificial intelligence –powered voice assistants in our homes or in our hands for weather, news, homework help and such. The Future Room is both utopia and dystopia. According to the project’s motto, the Future Room provides thought and visions for the future. Encapsulated in a cloud of information, the future will only be visible where we strive to imagine it. From abstract generative animations to politically relevant statements, the animations treat the dome as an intermediary membrane between the inside and the outside, a thin layer between disenchantment and re-enchantment. The project allows for multiple, non-hierarchical entry and exit points in data representation and interpretation. It is very true that the method of our time is to use not a single but multiple models for exploration.","PeriodicalId":40444,"journal":{"name":"Ekphrasis-Images Cinema Theory Media","volume":"42 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ekphrasis-Images Cinema Theory Media","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24193/ekphrasis.24.8","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 1
Abstract
: Spherical encounters of the Anthropocene refers to the impact of humanity’s global ecological footprint that is addressed through the metaphor of the spheres. The new human-generated Anthropo-Noo-spheres and their interaction with the Spheres of Earth are tackled through ecocritical investigation showcasing the diverse representational modalities and intermedial expressions found in the Planetarium and artistic spherical environments. The technological requirements for high quality geoscientific visualizations have taken about a decade longer to mature than the astronomical features of digital planetariums, but Earth System Science is finally adopted by the Planetarium and artists. From Telescope to Kaleidoscope refers to the transition between the emergence of the modern scientific, telescopic viewpoint, and the increasing rationalization and bureaucratization of society enabled by the technological and economic advances of the age, that created a sense of alienation of the individual, from the natural environment and the social other, to an environmental re-enchantment , a regaining of our sense of wonder and awe brought back by the kaleidoscopic visions artists apply to these spherical mediums. As this article seeks to demonstrate, the scientific and imaginative visions fused into interconnected, parallel universes can challenge our mundane notions opening up new causal connections, creating exciting discoveries, all under the notion of Anthropocene. However, these spherical environments showcasing kaleidoscopic visions are not an aestheticization of the Anthroposphere, but a testimony that artists as antennas capture and showcase the contemporary human sentiment, topics and observations by conveying experiential projects which involve strategies to forge communities, to re-build lost paradises, to re-connect us with the sky and earth, to foster regeneration and new sustainable systems and to ask future questions. Through the stylistic element of the Cosmic Zoom, we are travelling from the unknown of the outer space to the inner reaches of our human heart. Alice, Google and we anthropomorphised artificial intelligence –powered voice assistants in our homes or in our hands for weather, news, homework help and such. The Future Room is both utopia and dystopia. According to the project’s motto, the Future Room provides thought and visions for the future. Encapsulated in a cloud of information, the future will only be visible where we strive to imagine it. From abstract generative animations to politically relevant statements, the animations treat the dome as an intermediary membrane between the inside and the outside, a thin layer between disenchantment and re-enchantment. The project allows for multiple, non-hierarchical entry and exit points in data representation and interpretation. It is very true that the method of our time is to use not a single but multiple models for exploration.