Skovoroda`s images and motives in the works of Hanna Barvinok

Olena Matushek
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Abstract

The task of our article is to consider Skovoroda’s images and motives, in particular heart and happiness, in the works of Oleksandra Bilozers’ka-Kulish. Discourse analysis seems to be an appropriate method of research, since it allows us to build a chain of texts on one topic and find out the peculiarities of its detection at each stage, taking into the current contexts. This approach is quite productive and relevant for modern literary criticism, as it allows us to confirm or refute conclusions about the stadiality of Ukrainian literature, the continuity of the literary process, the sources of creativity of a particular author, etc. The article discusses the images and motives of the stories of Hanna Barvinok, which are key in the philosophical concept of Hrygoriy Skovoroda. This is the image of the heart and the motive of happiness. The works of Hanna Barvinok are studied in a broad literary and cultural context, which includes the works of M. Kovalyns`kyy, H. Danylevs`kyy, P. Kulish, M. Sumtsov, D. Bagaliy and others. The author of the article came to the conclusion that in the second half of the nineteenth century, the perception of the figure of H. Skovoroda in the Ukrainian cultural space acquired certain features: he became known as the author of philosophical and literary works. His live was an example of his moral and philosophical doctrine. He represented the Ukrainian man with his image. There are various images of happy people in the works of Hanna Barvinok. These are those who live with God and according to His rules, and those who have a favorite work, and those who had an experience a high feeling of love. The heroes of the works of this author are emotional, mostly with traditional concepts of human happiness. It should be noted that really happy are those characters who combine Christian commandments in their behavior and are guided by their heart. The heart is the main means of character formation and an indicator of the picture of their world in the texts of Hanna Barvinok. And this just corresponded to the teachings of H. Skovoroda.
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汉娜·巴维诺克作品中斯科沃罗达的形象与动机
我们这篇文章的任务是考虑Skovoroda在Oleksandra Bilozers的ka- kulish作品中的形象和动机,特别是心灵和幸福。话语分析似乎是一种合适的研究方法,因为它可以让我们在一个主题上建立一个文本链,并在当前语境中找出每个阶段的检测特点。这种方法对现代文学批评非常有益,因为它使我们能够证实或反驳有关乌克兰文学的时代性,文学过程的连续性,特定作者的创造力来源等结论。本文讨论了汉娜·巴维诺克故事的形象和动机,这是格里戈里·斯科沃罗达哲学概念的关键。这就是心灵的形象和幸福的动机。汉娜·巴维诺克的作品在广泛的文学和文化背景下进行研究,其中包括M. Kovalyns 'kyy, H. Danylevs 'kyy, P. Kulish, M. Sumtsov, D. Bagaliy等人的作品。文章作者得出的结论是,在19世纪下半叶,对H. Skovoroda在乌克兰文化空间中的形象的看法获得了某些特征:他被称为哲学和文学作品的作者。他的生活是他的道德和哲学学说的一个例子。他用自己的形象代表了那个乌克兰人。汉娜·巴维诺克的作品中有各种各样快乐的人的形象。这些人是那些与上帝一起生活并按照他的规则生活的人,是那些有自己喜爱的工作的人,是那些经历过高度爱的人。这位作家作品中的主人公都是感性的,大多带有传统的人类幸福观念。应该指出的是,真正幸福的是那些在行为上结合了基督教的诫命,并被他们的心所引导的人。在汉娜·巴维诺克的文本中,心是人物形成的主要手段,也是人物世界图景的指示器。这正好符合斯科沃罗达的教导。
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