An alternative approach to generalized Pythagorean scales. Generation and properties derived in the frequency domain

IF 0.5 2区 数学 Q4 MATHEMATICS, INTERDISCIPLINARY APPLICATIONS Journal of Mathematics and Music Pub Date : 2020-03-05 DOI:10.1080/17459737.2020.1726690
R. Cubarsi
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引用次数: 1

Abstract

Abstract scales are formalized as a cyclic group of classes of projection functions related to iterations of the scale generator. Their representatives in the frequency domain are used to built cyclic sequences of tone iterates satisfying the closure condition. The refinement of cyclic sequences with regard to the best closure provides a constructive algorithm that allows to determine cyclic scales avoiding continued fractions. New proofs of the main properties are obtained as a consequence of the generating procedure. When the scale tones are generated from the two elementary factors associated with the generic widths of the step intervals we get the partition of the octave leading to the fundamental Bézout's identity relating several characteristic scale indices. This relationship is generalized to prove a new relationship expressing the partition that the frequency ratios associated with the two sizes composing the different step-intervals induce to a specific set of octaves.
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广义毕达哥拉斯尺度的另一种方法。在频域的产生和性质推导
抽象尺度被形式化为与尺度生成器迭代相关的投影函数类的循环组。利用它们在频域的表示构造满足闭包条件的音调迭代循环序列。关于最佳闭包的循环序列的细化提供了一个建设性的算法,允许确定循环尺度避免连分数。作为生成过程的结果,获得了主要性质的新证明。当音阶音调由与阶距一般宽度相关的两个基本因素产生时,我们得到八度的划分,从而得到与几个特征音阶指数相关的基本bsamzout身份。将这一关系推广,证明了一个新的关系,该关系表示组成不同步长间隔的两个大小所对应的频率比对特定八度的划分。
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来源期刊
Journal of Mathematics and Music
Journal of Mathematics and Music 数学-数学跨学科应用
CiteScore
1.90
自引率
18.20%
发文量
18
审稿时长
>12 weeks
期刊介绍: Journal of Mathematics and Music aims to advance the use of mathematical modelling and computation in music theory. The Journal focuses on mathematical approaches to musical structures and processes, including mathematical investigations into music-theoretic or compositional issues as well as mathematically motivated analyses of musical works or performances. In consideration of the deep unsolved ontological and epistemological questions concerning knowledge about music, the Journal is open to a broad array of methodologies and topics, particularly those outside of established research fields such as acoustics, sound engineering, auditory perception, linguistics etc.
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