Find Your Way Back: Black Colleagues Return to the Erotic

N. Anderson
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Abstract

This paper provides an analysis of the effects anti-Black violence have had on the return of Black colleagues (administrators, faculty, and staff) to higher education after the the 2020 murder of African American citizen George Floyd at the hands of now former Minneapolis police officers. Riffing off of R&B singer Beyoncé Knowles-Carter’s song of return, “Find Your Way Back” and using it as a loose organizational rubric—each section is titled from the song’s lyrics—I ask what answers we might find between return and resignation. The analysis starts with the question of return: How in the hell do Black colleagues return to the university after a collective trauma? The essay centralizes the concerns of Black colleagues in higher education, positioning us between resignation and return. It seeks to consider (pending a return) to what are we returning. To explore this liminal dilemma—resignation or return—the essay will trace the lineage of racism located in higher education to slavery and the violent exclusion of African Americans from gaining access to knowledge. Briefly tracing American education’s lineage to White supremacy, I aim to frame our possible return against an institution that parodies its paternal line. The essay will show that the racism characteristic of American history morphed into an insidious, invisible source of oppression termed microaggressions. To address the consequences of racial microaggressions, I draw on psychotherapeutic clinical research on the effects of racial microaggressions on Black workers. Mirroring clinicians’ approach to addressing the race-based problems of higher education, I call on the Black feminist scholar Audre Lorde’s notion of “the erotic” as a spiritual power source. I look at how Lorde explored Black psychology and trauma within higher education in her poem “Blackstudies.” Mining this and her other triumphant essay “Uses of the Erotic: The Erotic as Power,” I look to establish “the erotic” as a comparable counterpunch to microaggressions in higher education.
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找到你的路回来:黑人同事回到情色
本文分析了2020年非裔美国公民乔治·弗洛伊德(George Floyd)被前明尼阿波利斯警察杀害后,反黑人暴力对黑人同事(行政人员、教职员工)重返高等教育的影响。我翻唱了R&B歌手碧昂斯·克莱尔·诺尔斯-卡特的回归之歌《Find Your Way Back》,并将其作为一个松散的组织大纲——每一部分的标题都取自歌曲的歌词——我想知道,在回归和放弃之间,我们能找到什么答案。分析从回归问题开始:黑人同事在遭受集体创伤后,究竟是如何回到大学的?这篇文章集中了高等教育中黑人同事的担忧,将我们置于辞职和回归之间。它寻求考虑(在回归之前)我们回归的东西。为了探索这种极限困境——辞职还是回归——这篇文章将追溯高等教育中的种族主义的血统,追溯到奴隶制和暴力排斥非裔美国人获得知识的机会。我简要地追溯了美国教育与白人至上主义的渊源,目的是将我们可能的回归与一个模仿父系的机构进行对比。这篇文章将展示美国历史上的种族主义特征演变成一种被称为微侵略的阴险的、看不见的压迫来源。为了解决种族微侵犯的后果,我借鉴了关于种族微侵犯对黑人工人影响的心理治疗临床研究。与临床医生解决高等教育中基于种族的问题的方法一样,我引用了黑人女权主义学者奥德丽·洛德(Audre Lorde)关于“情色”是一种精神力量来源的概念。我看洛德如何在她的诗“黑人研究”中探索高等教育中的黑人心理和创伤。挖掘这篇文章和她另一篇成功的文章《情色的使用:情色作为力量》,我希望将“情色”作为一种可与高等教育中的微侵犯相媲美的反击手段。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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