Voice of the People: Popular Symposia and the Non-Elite Origins of the Attic Skolia

Abstract

summary:

This paper reexamines the known performance contexts of the skolion in light of recent advances in our understanding of sympotic demographics and Greek popular culture, providing a close reading of select songs. In showing that the genre was primarily associated with public festivals and non-elite symposia, I argue that the Attic skolia were originally composed, performed, and transmitted by middling citizens at common symposia. Thus, we may isolate within the extant corpus of Greek literature a rare example of popular poetry that expresses the genuine voice of non-elites who articulated egalitarian views based on isonomia independently of elite sources.