{"title":"Repetition and difference in East Asian gothic cinema: the Bunshinsaba film series","authors":"C. Balmain","doi":"10.1080/25785273.2020.1823073","DOIUrl":null,"url":null,"abstract":"In 2004, the first Bunshinsaba film was released. Directed by Ahn Byeong-ki, it was a modest hit at the Korean box-office although it did well enough globally to warrant a dubbed as well as subtitl...","PeriodicalId":36578,"journal":{"name":"Transnational Screens","volume":null,"pages":null},"PeriodicalIF":0.5000,"publicationDate":"2020-09-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Transnational Screens","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/25785273.2020.1823073","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
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Abstract
In 2004, the first Bunshinsaba film was released. Directed by Ahn Byeong-ki, it was a modest hit at the Korean box-office although it did well enough globally to warrant a dubbed as well as subtitl...
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