{"title":"La caricatura de oposición en los congresos de la época de Juárez, 1861-1872","authors":"I. Arroyo","doi":"10.15460/JBLA.56.146","DOIUrl":null,"url":null,"abstract":"The article analyzes cartoons in the opposition press during the government of Benito Juarez (1861-1872). It focuses on two emblematic newspapers with cartoons of the time: La Orquesta and El Padre Cobos. The study argues that the opposition press should be understood as a creator of a collective imaginary – that could be very distant from political realities –, rather than as political player with a real impact in the political thought of the people. In spite of claiming to represent the people, the Mexican political cartoon actually addressed the public sphere of the press and the political class of its time.","PeriodicalId":52370,"journal":{"name":"Jahrbuch fuer Geschichte Lateinamerikas/Anuario de Historia de Amrica Latina","volume":"9 1","pages":"196-231"},"PeriodicalIF":0.0000,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Jahrbuch fuer Geschichte Lateinamerikas/Anuario de Historia de Amrica Latina","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15460/JBLA.56.146","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
The article analyzes cartoons in the opposition press during the government of Benito Juarez (1861-1872). It focuses on two emblematic newspapers with cartoons of the time: La Orquesta and El Padre Cobos. The study argues that the opposition press should be understood as a creator of a collective imaginary – that could be very distant from political realities –, rather than as political player with a real impact in the political thought of the people. In spite of claiming to represent the people, the Mexican political cartoon actually addressed the public sphere of the press and the political class of its time.