Coincidences, contingencies, multiplicities and patterns

IF 0.8 Q4 BUSINESS Accounting History Review Pub Date : 2018-09-02 DOI:10.1080/21552851.2018.1545162
C. McWatters
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引用次数: 3

Abstract

Considered one of the most famous movie lines – perhaps given that Rick Blaine (Humphrey Bogart) delivers it when Ilsa Lund (Ingrid Bergman), his former flame, suddenly walks into his Café Américain in Casablanca. Rick’s comment is definitely more memorable than ‘what a coincidence’. For historians, the concept of coincidence generally has a negative connotation – an inadequate basis for the explanation of events. Hekster (2016, 217) notes that historians frequently link coincidence to ‘contingent circumstance’, ‘chance’ even ‘luck’. In this issue, we examine not ‘gin joints’ but the place of Irving Fisher in accounting. Yet we consider the broader theme as follows: Can we trace definitively the emergence of ideas and concepts to a particular place and time? Alternatively, for theories with a ‘history’, is it possible to confirm their provenance? When explaining the influence of Y on Z, do we leave open and admit the very real possibility that this influence results more from our interpretations versus what others would argue to be historical fact. It leaves open the space in which (seemingly) similar ideas emerge coincidentally in different places at different times, or perhaps re-emerge contingently as circumstances and events change. Researchers in cultural evolutionary theory have examined these issues in terms of how ‘cultural evolutionary processes can link spatial and temporal dynamics in producing predictable patterns’ (Müller and Winters 2018, 22). While the disciplines of economics and finance have not neglected Fisher, the debt owed to him in accounting has not had the same acknowledgement. Our focus is the possible link and contribution of his theoretical works to fair value accounting and by extension, financial reporting and standard setting. Cardao-Pito and Ferreira champion Fisher’s legacy and argue for greater recognition of his theory of economic and accounting value, market prices and capitalism. Garen Markarian and Charles Richard Baker provide alternative narratives, which both support and challenge these central themes. My position, as editor, has been one of constructive neutrality. The study by Cardao-Pito and Ferreira is rich in detail and evidence. At a basic level, it encourages us to re-visit our understandings of the origins of fair value accounting. The commentaries by Markarian and Baker motivate us to take these arguments with a blend of scepticism and enthusiasm, with Markarian offering more of the latter and Baker suggesting a healthy dose of the former. The three narratives offer three individual accounts yet not the entire account. It may be possible for us to accept some of what all the authors provide as evidence without accepting necessarily all of what they contend. As consumers of historical works, Evans reminds us as of the need to take conclusions as tentative:
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巧合、偶然性、多样性和模式
这句话被认为是最著名的电影台词之一——也许是因为里克·布莱恩(亨弗莱·鲍嘉饰)在卡萨布兰卡的旧情人伊尔莎·伦德(英格丽·褒曼饰)突然走进他的咖啡馆时说出了这句话。瑞克的评论绝对比“多么巧合”更令人难忘。对于历史学家来说,巧合的概念通常有负面的含义——一个解释事件的不充分的基础。Hekster(2016, 217)指出,历史学家经常将巧合与“偶然情况”、“机会”甚至“运气”联系起来。在本期中,我们考察的不是“酒馆”,而是欧文·费雪(Irving Fisher)在会计中的地位。然而,我们考虑的更广泛的主题如下:我们能明确地追溯到一个特定的地点和时间的想法和概念的出现吗?或者,对于有“历史”的理论,有可能确认它们的起源吗?在解释Y对Z的影响时,我们是否敞开心扉,承认这种影响更多地来自于我们的解释,而不是其他人认为的历史事实。它打开了一个空间,在这个空间中,(看似)相似的想法在不同的地方、不同的时间巧合地出现,或者可能随着环境和事件的变化而偶然地出现。文化进化理论的研究人员从“文化进化过程如何将空间和时间动态联系起来,产生可预测的模式”的角度研究了这些问题(m勒和温特斯2018,22)。尽管经济学和金融学并没有忽视费雪,但在会计方面欠他的债却没有得到同样的承认。我们的重点是他的理论著作与公允价值会计的可能联系和贡献,进而延伸到财务报告和标准制定。卡道-皮托和费雷拉拥护费雪的遗产,并主张对他的经济和会计价值、市场价格和资本主义理论给予更大的认可。加伦·马卡里安和查尔斯·理查德·贝克提供了另一种叙事,既支持又挑战了这些中心主题。作为编辑,我的立场一直是建设性的中立。Cardao-Pito和Ferreira的研究提供了丰富的细节和证据。在基本层面上,它鼓励我们重新审视我们对公允价值会计起源的理解。马卡里安和贝克的评论促使我们带着怀疑和热情来看待这些争论,马卡里安提供了更多的怀疑,而贝克则提出了适量的怀疑。这三种叙述提供了三个单独的叙述,但不是完整的叙述。我们有可能接受所有作者提供的一些证据,而不一定接受他们所主张的全部。作为历史作品的消费者,埃文斯提醒我们需要把结论当作试探性的:
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来源期刊
CiteScore
1.20
自引率
16.70%
发文量
9
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