The state of Australian performance design: A roundtable discussion on scenographic practice, education and research through the lens of the Prague Quadrennial

IF 0.1 4区 艺术学 0 MUSIC AVANT SCENE OPERA Pub Date : 2021-12-01 DOI:10.1386/scene_00037_1
Tessa Rixon, Madeline Taylor, J. Briscoe, Rachel Burke, M’ck McKeague, S. Osmond, Richard Roberts, Anna Tregloan
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Abstract

As the Prague Quadrennial of Performance Design and Space 2019 (PQ19) drew to a close, Australian designers, researchers and educators gathered to discuss the impact of PQ on our scenographic communities while querying the evolutions and challenges facing design practice. Australia’s vast geography made this event a unique opportunity to bring together leading experts from multiple states and capture contemporary perspectives. At the midpoint between the 2019 and 2023 gatherings ‐ a time of global pandemics, political unrest and educational transformation ‐ this article offers the outcomes of this roundtable as a unique snapshot of the state of design practice within Australia through the lens of the Quadrennial. The roundtable was themed around Australia’s presence at PQ19, the effects of PQ19 on those present and the ripples to be felt by those at home, and what attendance illuminated about current developments and concerns in practice, teaching and research. Led by practitioner-researchers Tessa Rixon and Madeline Taylor, the roundtable featured both the curators of Australia’s country and student exhibits; award-winning set, costume and lighting designers with diverse experiences from national opera to independent theatre; and educators and researchers from the nation’s top universities. The resulting discussion presents a unique perspective on the gaps and weaknesses in the design education, practice and research; first-hand insights on the challenges and opportunities available in both exhibiting and participating in the PQ; and the need to actively promote and privilege diverse voices and a multiplicity of representations in the process of claiming a ‘national’ scenographic identity. The roundtable was the first to capture multiple expert first-person Australian perspectives on the PQ while simultaneously contributing to the ongoing international discussion of performance design through the lens of artists, educators and researchers.
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澳大利亚表演设计的现状:通过布拉格四年展的镜头对舞台设计实践、教育和研究进行圆桌讨论
随着布拉格行为设计与空间四年展(PQ19)接近尾声,澳大利亚设计师、研究人员和教育工作者聚集在一起,讨论了PQ对我们的场景社区的影响,同时询问了设计实践面临的演变和挑战。澳大利亚广阔的地理位置使这次活动成为一个独特的机会,汇集了来自多个州的领先专家,并捕捉当代的观点。在2019年和2023年聚会的中间点-全球流行病,政治动荡和教育变革的时期-本文通过四年一次的镜头提供了这次圆桌会议的结果,作为澳大利亚设计实践状况的独特快照。圆桌会议的主题是澳大利亚参加PQ19, PQ19对在场人员的影响以及国内人员感受到的涟漪,以及出席会议对实践,教学和研究中当前发展和关注的问题的启示。在实践研究人员Tessa Rixon和Madeline Taylor的带领下,圆桌会议的特色是澳大利亚国家和学生展览的策展人;获奖的布景、服装和灯光设计师,拥有从国家歌剧到独立剧院的丰富经验;以及来自全国顶尖大学的教育工作者和研究人员。由此产生的讨论对设计教育、实践和研究中的差距和弱点提出了独特的视角;对参展和参与PQ的挑战和机遇的第一手见解;在要求“国家”舞台认同的过程中,需要积极促进和特权不同的声音和多样性的表现。圆桌会议是第一次捕捉到多位专家的第一人称澳大利亚人对PQ的看法,同时通过艺术家、教育工作者和研究人员的视角,为正在进行的行为设计的国际讨论做出贡献。
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期刊介绍: L’Avant-Scène Opéra est une revue bimestrielle qui consacre chaque édition à l"étude complète d"un opéra, avec : • Livret intégral bilingue • Commentaire musical et littéraire • Discographie et Vidéographie comparées • Etudes des sources et des personnages • Chronologie des grandes productions
期刊最新文献
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