{"title":"Narrating General Performance: Art, Life, and Labor in Niña Weijers's The Consequences and Tom Mccarthy's Satin Island","authors":"S. Besser","doi":"10.13110/criticism.63.4.0355","DOIUrl":null,"url":null,"abstract":"Abstract:This essay explores the fascination with performance and performance art in contemporary fiction in relation to post-Fordist culture and society. I employ the concept of general performance in order to analyze configurations of artistic, professional, and economic performance in Niña Weijers's novel The Consequences (2014) and Tom McCarthy's Satin Island (2015). The readings demonstrate that, in different ways, both novels imagine performance as a key practice at the intersection of art, life, and labor. While Satin Island presents a bleak view of generalized post-Fordist performance, The Consequences insists on discontinuities between artistic and other forms of performance. The essay makes a case for general performance as a key concept for the study of the imagination of immaterial and creative labor in twenty-first-century fiction.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":"97 1","pages":"355 - 380"},"PeriodicalIF":0.1000,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"FILM CRITICISM","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13110/criticism.63.4.0355","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:This essay explores the fascination with performance and performance art in contemporary fiction in relation to post-Fordist culture and society. I employ the concept of general performance in order to analyze configurations of artistic, professional, and economic performance in Niña Weijers's novel The Consequences (2014) and Tom McCarthy's Satin Island (2015). The readings demonstrate that, in different ways, both novels imagine performance as a key practice at the intersection of art, life, and labor. While Satin Island presents a bleak view of generalized post-Fordist performance, The Consequences insists on discontinuities between artistic and other forms of performance. The essay makes a case for general performance as a key concept for the study of the imagination of immaterial and creative labor in twenty-first-century fiction.
期刊介绍：
Film Criticism is a peer-reviewed, online publication whose aim is to bring together scholarship in the field of cinema and media studies in order to present the finest work in this area, foregrounding textual criticism as a primary value. Our readership is academic, although we strive to publish material that is both accessible to undergraduates and engaging to established scholars. With over 40 years of continuous publication, Film Criticism is the third oldest academic film journal in the United States. We have published work by such international scholars as Dudley Andrew, David Bordwell, David Cook, Andrew Horton, Ann Kaplan, Marcia Landy, Peter Lehman, Janet Staiger, and Robin Wood. Equally important, FC continues to present work from emerging generations of film and media scholars representing multiple critical, cultural and theoretical perspectives. Film Criticism is an open access academic journal that allows readers to read, download, copy, distribute, print, search, and link to the full texts of articles, or use them for any other lawful purpose except where otherwise noted.
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