Gender and Memory: Depictions of Femininity in Irish Revolutionary Art

P. Joslyn
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Abstract

This paper uses artistic depictions of the allegorical figure, Kathleen ni Houlihan, who represented the personification of Ireland, to analyze the role of gender in the Irish Revolution. Drawing on a number of primary source artistic works from the years surrounding the 1916 Easter Rising, this paper questions the impact highly gendered portrayals of Irish nationalism had on nationalist communities. This paper also relies on primary and secondary sources that highlight the highly gendered environment of revolutionary Ireland, and the hardships faced by nationalist women. In this study, I found that gendered depictions of Kathleen ni Houlihan were rooted in the gendered revolutionary environment, and reflected typical ideas of the roles men and women should play in the independence movement. The figure of Kathleen ni Houlihan offers an excellent case study of the role the arts played in both reflecting and altering Irish revolutionary society. Additionally, these artistic portrayals reflect the strict binaries of Irish society at the turn of the century, and provide insight into the ways women negotiated their positions in the revolution.
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性别与记忆:爱尔兰革命艺术中女性气质的描绘
本文通过对象征爱尔兰人格化的寓言人物凯瑟琳·尼·霍利汉的艺术刻画,分析性别在爱尔兰革命中的作用。借鉴1916年复活节起义前后的一些主要艺术作品,本文质疑爱尔兰民族主义的高度性别化描绘对民族主义社区的影响。本文也依靠第一手和第二手资料,突出了革命爱尔兰高度性别化的环境,以及民族主义妇女所面临的困难。在本研究中,我发现对Kathleen ni Houlihan的性别化描写根植于性别化的革命环境中,反映了独立运动中男性和女性应该扮演的角色的典型观念。Kathleen ni Houlihan的形象为艺术在反映和改变爱尔兰革命社会中所扮演的角色提供了一个极好的案例研究。此外,这些艺术描绘反映了世纪之交爱尔兰社会的严格二元对立,并提供了妇女在革命中谈判自己地位的方式。
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Nanotechnology Perceptions
Nanotechnology Perceptions Engineering-Engineering (all)
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