Time and the Essay

IF 0.2 4区 文学 0 LITERATURE RENASCENCE-ESSAYS ON VALUES IN LITERATURE Pub Date : 2020-09-03 DOI:10.1093/oso/9780198707868.003.0005
Markman Ellis
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Abstract

Published six times a week, Addison and Steele’s The Spectator (1711–12) offered readers a daily essay, and some advertisements, on the two sides of a half-folio sheet costing one penny. This chapter explores the diurnal production and reception of The Spectator. In their daily sequence, each diurnal essay is an adventure in thought located in a fixed chronological relationship with the others but taking a new and unanticipated direction. Reading the diurnal Spectator offers unexpected juxtapositions of essays on different topics and in different modes and styles. Subsequent republications in quarto and octavo volumes changed the reading experience, especially through the provision of an index allowing readers to follow topics across discrete essays. Indexical reading exposes an ambivalence in the essay form between the everyday sally of thought—the attempt or endeavour—and the more philosophical thinking of the tract or treatise in miniature.
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时间与散文
艾迪生和斯蒂尔的《旁观者》(1711 - 1712)每周出版六次,在半开本的两面为读者提供每日一篇文章和一些广告,售价一便士。本章探讨了《旁观者》的日常制作和接收情况。在他们的日常序列中,每一篇日记都是一次思想上的冒险,它们与其他文章有着固定的时间顺序关系,但却朝着一个新的、意想不到的方向发展。阅读每日观察家提供意想不到的并置文章在不同的主题和不同的模式和风格。随后的四开本和八开本的再版改变了阅读体验,特别是通过提供索引,允许读者在离散的文章中遵循主题。索引式阅读暴露了文章形式中的矛盾心理,一方面是日常的思考——尝试或努力——另一方面是对小册子或论文的更哲学的思考。
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
11
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