Composuit Zeuxis / Composuit Sandrart

Peter Bexte
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Abstract

The notion of composition has been highly important in 17th century tracts on fine arts. Inspired by these discussions the article looks at Joachim von Sandrart’s monumental publication Teutsche Academie der Edlen Bau- Bild- und Mahlerey-Künste. It presents an ever-amazing quantity of contemporary knowledge and has often been described as a compilation, lacking theoretical power. In contrast, the following essay argues that it may open new perspectives to observe practices of composing, especially regarding the images. There is a harmonizing tendency in the idea of composing – the expression bellum componere means: ending the war. And this touches on a central issue in Sandrart’s overall undertaking.
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复合西服Zeuxis /复合西服Sandrart
构图的概念在17世纪的美术小册子中非常重要。受这些讨论的启发,本文着眼于约阿希姆·冯·桑德拉特的不朽出版物《德意志学院》。它呈现了数量惊人的当代知识,经常被描述为一个汇编,缺乏理论力量。相反,下面的文章认为,它可以打开新的视角来观察作曲的做法,特别是关于图像。在构成的概念中有一种协调的趋势——表达bellum componere的意思是:结束战争。这触及了桑德拉特整体研究的一个核心问题。
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