Asta Nielsen film trade in Great Britain: pioneering the exclusive long feature star series before the First World War

IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Early Popular Visual Culture Pub Date : 2021-07-03 DOI:10.1080/17460654.2021.2058184
Victor Chavez, Martin Loiperdinger
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Abstract

ABSTRACT This article examines Asta Nielsen’s exceptional position in the British film market in connection with the film renter Walturdaw’s pioneering star-based exploitation of long feature films on exclusive terms, in the seasons 1911–12 to 1913–14. Close readings of renters’ advertising in leading trade journals and of star portraits in fan magazines, supplemented by OCR research in The British Newspaper Archive on exhibitors’ advertising of a number of film stars in the local press, provide strong evidence that Asta Nielsen was the most prominent star of the multiple-reel feature format in Great Britain before the First World War. The unrivalled number of twenty long features offered for hire by one single renting company allowed Asta Nielsen to perform the renowned versatility of her acting with considerable frequency and even in unique repertoire programme formats. While comparatively high numbers of OCR hits are not synonymous with popularity, trade paper notes and local cinema ads allow heuristic conclusions on her popularity, at least in certain circumstances. Because she was promoted as a Scandinavian actress who was not bound to any production company, the German provenance of her multiple-reel features was quite unknown: thus, screenings of Asta Nielsen films which had been released before the war did not stop during the 1914–15 season.
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亚洲尼尔森在英国的电影贸易:在第一次世界大战之前开创了独家长片明星系列
本文考察了Asta Nielsen在英国电影市场上的特殊地位,以及电影租赁商Walturdaw在1911-12至1913-14年期间开创性地以明星为基础,以独家条款开发长片。仔细阅读主要行业杂志上的租客广告和粉丝杂志上的明星肖像,再加上《英国报纸档案》中关于放映商在当地媒体上为一些电影明星做广告的OCR研究,提供了强有力的证据,证明阿斯塔·尼尔森是第一次世界大战前英国多卷故事片格式中最杰出的明星。一家租赁公司提供了无与伦比的20个长节目,这使得阿斯塔·尼尔森能够以相当多的频率表演她著名的多面性表演,甚至以独特的曲目节目形式表演。虽然相对较高的OCR点击率并不等同于受欢迎程度,但至少在某些情况下,行业报纸和当地电影院的广告可以对她的受欢迎程度做出启发式结论。因为她被提升为斯堪的纳维亚女演员,不受任何制作公司的限制,她的多卷故事片的德国来源是相当未知的:因此,在1914-15赛季期间,战争前发行的亚洲尼尔森电影的放映并没有停止。
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来源期刊
Early Popular Visual Culture
Early Popular Visual Culture HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.20
自引率
0.00%
发文量
50
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