Leander, Isidore, and Gregory

IF 0.2 1区 艺术学 0 MUSIC JOURNAL OF MUSICOLOGY Pub Date : 2019-10-01 DOI:10.1525/jm.2019.36.4.498
D. Randel
{"title":"Leander, Isidore, and Gregory","authors":"D. Randel","doi":"10.1525/jm.2019.36.4.498","DOIUrl":null,"url":null,"abstract":"St. Isidore of Seville (d. 636) and Pope Gregory the Great (d. 604) had an intellectual exchange facilitated in part by Isidore’s brother Leander (d. ca. 600), who preceded Isidore as bishop of Seville, had met Gregory in Constantinople, and to whom Gregory dedicated his Moralia in Job. Isidore’s writings and contemporaneous records of Spanish church councils make clear that the Old Hispanic Rite was already largely, though not entirely, formed in his day, much as we find it in the earliest surviving liturgical documents: the Oracional Visigótico (ca. 711) and the Antiphoner of León (ca. 900). This is a rite deriving from a great exegetical project in which liturgical chant formed only a part. Its starting points were the various translations of the Bible and the writings of the church fathers, especially Gregory and Augustine. From this an elaborate and systematic repertory of chant was formed in coordination with prayers, readings, and sermons. All of this speaks to deliberate composition by Isidore, Leander, and their colleagues rather than to the writing down of a long-standing oral tradition. Gregory surely knew about this activity in Spain. Is it likely that Gregory and his colleagues were not engaged in any such activity or that such activity in Rome took place so much later than it did in Spain? Perhaps there is a good reason why the chant created in Rome is called Gregorian just as the Old Hispanic Chant was much later called Isidorean. In the absence of Roman sources we may never know. But the Old Hispanic sources suggest that we ought to wonder.","PeriodicalId":44168,"journal":{"name":"JOURNAL OF MUSICOLOGY","volume":"50 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF MUSICOLOGY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/jm.2019.36.4.498","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0

Abstract

St. Isidore of Seville (d. 636) and Pope Gregory the Great (d. 604) had an intellectual exchange facilitated in part by Isidore’s brother Leander (d. ca. 600), who preceded Isidore as bishop of Seville, had met Gregory in Constantinople, and to whom Gregory dedicated his Moralia in Job. Isidore’s writings and contemporaneous records of Spanish church councils make clear that the Old Hispanic Rite was already largely, though not entirely, formed in his day, much as we find it in the earliest surviving liturgical documents: the Oracional Visigótico (ca. 711) and the Antiphoner of León (ca. 900). This is a rite deriving from a great exegetical project in which liturgical chant formed only a part. Its starting points were the various translations of the Bible and the writings of the church fathers, especially Gregory and Augustine. From this an elaborate and systematic repertory of chant was formed in coordination with prayers, readings, and sermons. All of this speaks to deliberate composition by Isidore, Leander, and their colleagues rather than to the writing down of a long-standing oral tradition. Gregory surely knew about this activity in Spain. Is it likely that Gregory and his colleagues were not engaged in any such activity or that such activity in Rome took place so much later than it did in Spain? Perhaps there is a good reason why the chant created in Rome is called Gregorian just as the Old Hispanic Chant was much later called Isidorean. In the absence of Roman sources we may never know. But the Old Hispanic sources suggest that we ought to wonder.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
利安德,伊西多尔,还有格雷戈里
塞维利亚的圣伊西多尔(公元636年)和教皇格里高利大帝(公元604年)进行了一次知识交流,部分原因是伊西多尔的兄弟利安德(公元600年),他在伊西多尔之前担任塞维利亚主教,在君士坦丁堡会见了格里高利,格里高利在约伯奉献了他的Moralia。伊西多尔的著作和同时期西班牙教会会议的记录清楚地表明,古西班牙仪式虽然不是全部,但在他的时代已经很大程度上形成了,正如我们在现存最早的礼仪文件中发现的那样:Oracional Visigótico(约711年)和Antiphoner(约900年)León(约900年)。这是一种源自一个伟大的训诂工程的仪式,其中礼仪咏唱只是其中的一部分。它的起点是圣经的各种译本和教父们的著作,尤其是格列高利和奥古斯丁。在此基础上形成了一套精心制作的、系统的圣歌曲目,与祈祷、读经和布道相协调。所有这些都是由伊西多尔、利安德和他们的同事们精心创作的,而不是长期口头传统的书面记录。格列高利肯定知道西班牙的这种活动。格列高利和他的同事们有没有可能没有参与过这样的活动,或者这样的活动在罗马发生的时间比在西班牙晚得多?也许罗马创造的圣歌被称为格里高利圣歌,就像古西班牙圣歌后来被称为伊西多尔圣歌一样,有一个很好的理由。如果没有罗马的资料,我们可能永远不会知道。但古西班牙语的资料表明,我们应该怀疑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
CiteScore
0.90
自引率
0.00%
发文量
8
期刊介绍: The widely-respected Journal of Musicology enters its third decade as one of few comprehensive peer-reviewed journals in the discipline, offering articles in every period, field and methodology of musicological scholarship. Its contributors range from senior scholars to new voices in the field. Its reach is international, with recent articles by authors from North America, Europe and Australia, and circulation to individuals and libraries throughout the world.
期刊最新文献
Heroic Artists, Critical Abuse, and the Death of Maria Malibran From Milton to Hamilton and Handel Sonny Rollins’s Musical Thought Constructing a Versatile Virtuoso Persona Instrument or Appliance? The RCA Theremin, Gender, Labor, and Domesticity
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1