"They Still Don't Understand Why I Hate Wearing Dresses!" An Autoethnographic Rant on Dresses, Boats, and Butchness

IF 0.9 4区 社会学 Q2 CULTURAL STUDIES Cultural Studies-Critical Methodologies Pub Date : 2002-02-01 DOI:10.1177/153270860200200110
S. Crawley
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引用次数: 27

Abstract

Using autoethnographic scenes from her lived experiences, the author argues that butchness is a discursive and performative practice in a sexist, heterosexist culture that engages female-bodied people, in particular lesbians, in the expression of ableness. The author uses the notions of dresses and boats as metaphors for requisite femininity and ableness, respectively, and argues that butchness is used as a resource to respond—personally and theoretically—to a culture that sees the female body as less competent than the male body. This article suggests that theories of gender and sexuality must be more attentive to practices of constructing self in everyday life and that they must give greater consideration to how individuals present themselves to various audiences.
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“他们还是不明白我为什么讨厌穿裙子!”《关于服装、船只和身材的民族志咆哮》
作者利用自己生活经历中的民族志场景,认为在性别歧视、异性恋文化中,丰满是一种话语性和表现性的实践,这种文化让女性身体的人,尤其是女同性恋者,表达出自己的能力。作者用衣服和船的概念分别作为必要的女性气质和能力的隐喻,并认为丰满被用作一种资源,从个人和理论上回应一种认为女性身体不如男性身体的文化。这篇文章表明,性别和性理论必须更多地关注日常生活中自我建构的实践,他们必须更多地考虑个人如何向不同的受众呈现自己。
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来源期刊
CiteScore
1.40
自引率
16.70%
发文量
55
期刊介绍: The mandate for this interdisciplinary, international journal is to move methods talk in cultural studies to the forefront, into the regions of moral, ethical and political discourse. The commitment to imagine a more democratic society has been sa guiding feature of cultural studies from the very beginnnig. Contributors to this journal understand that the discourses of a critical, moral methodology are basic to any effort to re-engage the promise of the social sciences and the humanities for democracy in the 21st Century. We seek works that connect critical emanicipatory theories to new forms of social justice and democratic practice are encouraged.
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