The Gospel of Mark, Orality Studies and Performance Criticism

P. Botha
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引用次数: 2

Abstract

Orality/aurality is recognised by a growing number of scholars as a significant aspect of the context of New Testament texts. As part of the exploration of the oral features of New Testament texts some are turning to Greco-Roman storytelling and oratory, informed by performance studies. A selection of these explorations are discussed to introduce scholarship that attempts to identify various elements of performance events in the early church as a basis for re-thinking our ways of studying and our interpretations of the New Testament writings in their original context. The obstacles to such efforts are considerable, but some significant gains have been made. Focusing on research on the Gospel of Mark, this discussion shows how performance critical studies allow new insights into the origins of the Gospels, leading to interesting new and meaningful perspectives on the history of the early Jesus movement with specific attention to the role telling and presenting the Markan story played.
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马可福音,口语研究和表演批评
越来越多的学者认识到口授/听觉是新约文本上下文的一个重要方面。作为探索新约文本口头特征的一部分,一些人开始转向希腊罗马叙事和演讲,并通过表演研究获得信息。本文讨论了这些探索的选择,以介绍试图识别早期教会表演事件的各种元素的学术研究,作为重新思考我们在原始背景下研究新约作品的方式和解释的基础。这种努力的障碍是相当大的,但是已经取得了一些重大进展。通过对马可福音的研究,本讨论展示了表演批判研究如何为福音书的起源提供新的见解,从而为早期耶稣运动的历史带来有趣的、新的、有意义的视角,并特别关注马可故事的讲述和呈现所起的作用。
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