Networked audience participation: the futurity of post-Brexit democracy in One Day, Maybe and Operation Black Antler

IF 0.3 3区 艺术学 0 THEATER Studies in Theatre and Performance Pub Date : 2021-09-02 DOI:10.1080/14682761.2021.1964849
Joseph Dunne-Howrie
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Abstract

ABSTRACT Where are we in the story of British democracy? Was the 2016 EU Referendum a rehearsal for a new political system of direct democracy that ultimately benefits the far right? Or will the Internet replace the conventional machinery of government with a radical new form of network power where people discursively experiment with new political realities through aesthetic modes of social relations? This article proffers the term ‘networked participation’ to describe a conceptual model of citizenry centred on structuring meaning through the dialogic exchange of information in aesthetic environments. The political ideals of network politics inform my analysis of the complex web of connections that participants scaffold in the performances Operation Black Antler(Blast Theory and Hydrocracker 2017) and One Day, Maybe (dreamthinkspeak 2017) between identitarian ideology in Britain and competing narratives of democracy’s meaning in South Korea, respectively. This model of audience participation is proffered to develop a theory of social relations produced through a theatrical experience of digital interconnectivity.
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网络化的观众参与:《一天,也许》和《黑鹿角行动》中英国脱欧后民主的未来
我们在英国民主的故事中处于什么位置?2016年的欧盟公投是否预示着一种最终有利于极右翼的直接民主新政治体制的出现?或者,互联网是否会以一种全新的网络权力形式取代传统的政府机构,在这种形式下,人们会通过社会关系的审美模式,对新的政治现实进行话语实验?本文提出了“网络参与”一词来描述公民的概念模型,该模型以通过在审美环境中对话交换信息来构建意义为中心。网络政治的政治理想为我分析参与者在表演《黑鹿角行动》(《爆炸理论与氢裂锅》,2017)和《也许有一天》(《dreamthinkspeak》,2017)中搭建的复杂联系网络提供了依据,这两个表演分别是英国的身份主义意识形态和韩国民主意义的竞争叙事。这种观众参与的模式是为了发展一种通过数字互联的戏剧体验产生的社会关系理论。
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CiteScore
0.60
自引率
33.30%
发文量
11
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