Walt Whitman and Civil War Washington

Q2 Arts and Humanities Leviathan (Germany) Pub Date : 2014-05-15 DOI:10.1353/LVN.2014.0002
Kenneth M. Price
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引用次数: 3

Abstract

Walt Whitman famously described his visits to thousands of wounded Civil War soldiers in Memoranda During the War, a volume with a largely ignored subtitle: "Written on the Spot in 1863-'65." I want to highlight that subtitle and its emphasis on space and time-its geo-temporal specificity-to ask what it meant to have a writer of Whitman's sensibilities thrust into the nation's capital city in the final three years of the war, when it had become a city of hospitals. More wounded soldiers were treated in Wash­ ington, DC, than in any other city, and Whitman, a visitor to dozens of hos­ pitals, gravitated toward the epicenter of suffering. He spent most of his time at Armory Square Hospital, which hosted the worst cases and had the highest death rate. At a time of unprecedented maiming and killing, Whitman engaged in the work of healing. Leaves of Grass, his poetic masterpiece, intertwined the physical bodies of men and women and the symbolic body of the nation and saw in both a capacity to embrace contradictions and diversity while still remaining united and whole. Both the nation and Whitman's poetic project were at risk as he confronted innumerable broken and battered bodies. In this new context, he reassessed the possibilities for poetry, the future of democracy, and even the efficacy of affection, a quality that he had always believed sus­ tained civil society. Faced with massive destruction, in what ways did Whitman succeed and fail in making meaning ofit, in finding reasons for hope? The crisis of war remade both Whitman and Washington, DC. The city more than tripled in size from 63,000 to 200,000 inhabitants and underwent profound change, as the maps available on the Civil War Washington digi­ tal site illustrate; once a relatively quiet town with a busy political season, it absorbed a new and year-round population of soldiers, bureaucrats, prosti­ tutes, adventure-seekers, merchants, doctors, nurses, and undertakers. During the course of the War, forty thousand fugitive slaves, known as "contrabands," fled to the nation's capital: they often resided in camps run by the government and charitable organizations and many worked on military projects. (The term "contraband of war," used by General Benjamin Butler in 1861 to refer to for­ mer slaves who reached Union lines, became widely adopted thereafter.) The routine of life in the city was frequently interrupted by military drills and the
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沃尔特·惠特曼和内战时期的华盛顿
沃尔特·惠特曼(Walt Whitman)在《战争期间的备忘录》(Memoranda During the War)中描述了他对数千名受伤的内战士兵的探访,这本书有一个基本上被忽视的副标题:“1863年至1965年写在现场。”我想强调这个副标题以及它对空间和时间的强调——它对地理时间的特殊性——来问一下,在战争的最后三年里,当一个惠特曼这样有感情的作家被推到这个国家的首都,当它已经成为一个医院城市的时候,这意味着什么。在华盛顿接受治疗的受伤士兵比其他任何城市都多,惠特曼访问了数十家医院,被吸引到受灾的中心。他大部分时间都在军械库广场医院度过,那里的病例最严重,死亡率最高。在一个前所未有的残害和杀戮的时代,惠特曼致力于治愈的工作。他的诗歌杰作《草叶集》将男人和女人的身体与国家的象征身体交织在一起,并在两者之间看到了一种包容矛盾和多样性的能力,同时仍然保持统一和整体。当惠特曼面对无数支离破碎的尸体时,这个国家和他的诗歌事业都处于危险之中。在这种新的背景下,他重新评估了诗歌的可能性,民主的未来,甚至是情感的功效,他一直认为情感是维持公民社会的品质。面对大规模的破坏,惠特曼在理解它的意义和寻找希望的理由方面是成功的还是失败的?战争危机重塑了惠特曼和华盛顿特区。正如华盛顿内战数字网站上的地图所显示的那样,这座城市的人口从6.3万增加到20万,增长了两倍多,并发生了深刻的变化;它曾经是一个相对安静的城镇,在繁忙的政治季节,它吸收了新的和全年的人口,包括士兵、官僚、妓女、冒险者、商人、医生、护士和殡仪业者。在战争期间,四万名被称为“违禁品”的逃亡奴隶逃到了美国首都:他们通常住在政府和慈善组织经营的营地里,许多人在军事项目中工作。(“战争违禁品”一词是本杰明·巴特勒将军在1861年用来指到达联邦边境的前奴隶的,此后被广泛采用。)这个城市的日常生活经常被军事演习和军事演习打断
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来源期刊
Leviathan (Germany)
Leviathan (Germany) Arts and Humanities-Language and Linguistics
CiteScore
1.40
自引率
0.00%
发文量
21
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