Sikh Martiality, Islamophobia, Raj Nostalgia, a pinch of saffron: Kesari’s nationalist cocktail and the power of trailers

IF 0.2 0 ASIAN STUDIES Sikh Formations-Religion Culture Theory Pub Date : 2021-07-03 DOI:10.1080/17448727.2021.1949916
Silvia Tieri
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引用次数: 1

Abstract

ABSTRACT Taking 2019 Bollywood blockbuster Kesari as a case study, this paper argues that contemporary film trailers are not just promotional para-texts: they can be powerful ideological texts too, as they become accessible, reiterative, and interactive through social media. The paper performs a discourse and visual analysis of trailer and trailer-users interactions to demonstrate that the trailer formulates and disseminates an Islamophobic, anti-secular, Hindu nationalistic discourse with coherence and complexity. It also blurs difficult questions regarding Indians' participation in the British Indian Army, and reclaims Sikhs as part of the Hindu nation in line with Hindutva ideology.
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锡克教的好战、伊斯兰恐惧症、拉吉的怀旧、一小撮藏红花:凯萨里的民族主义鸡尾酒和拖车的力量
以2019年宝莱坞大片《凯萨里》为例,本文认为当代电影预告片不仅仅是宣传类文本:它们也可以是强大的意识形态文本,因为它们通过社交媒体变得可访问、重复和互动。本文对拖车和拖车用户之间的互动进行了话语和视觉分析,以证明拖车以连贯和复杂的方式制定和传播了一种伊斯兰恐惧症、反世俗、印度教民族主义的话语。它还模糊了有关印度人参加英属印度军队的棘手问题,并根据印度教至上主义的意识形态,重新将锡克教徒视为印度教国家的一部分。
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来源期刊
CiteScore
0.80
自引率
25.00%
发文量
32
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