{"title":"“Sois libres, sois iguales, sois hermanos” Sociedades democráticas en Quito de mediados del siglo XIX","authors":"B. González","doi":"10.7767/jbla-2016-0110","DOIUrl":null,"url":null,"abstract":"– This research project addresses the political participation of artists and artisans in Quito in the mid–1800’s, during what’s known as the “March” national governments, especially under the rule of José María Urvina (1851–1856) and Francisco Robles (1856–1859). The first section examines the role of the so called Sociedades Democráticas as places of sociability and political learning, where literate lettered artists and artisans gathered with the members of the political and publishing elites. There, they applied the concepts, keywords, values and practices from liberalism. The second section studies the 1845 Revolution commemoration speeches, written by members of the Sociedades Democráticas, which reflected their requirements for building an egalitarian, democratic and Catholic political community. Finally, the third section examines the newspaper El Artesano (1857–1859), published by former members of the Sociedades Democráticas, to analyze their efforts to participate in the public debates of Quito. The purpose of this article is to examine the ways in which the liberal official discourse was appropriated and transformed by the members of the Sociedades Democráticas according to their own political expectations and identities, and how these meaning constructs shaped a local version of Catholic liberalism. * Agradezco los valiosos comentarios de Juan Maiguashca y Pablo Ospina; así como la colaboración de Tatiana Salazar y Ligia Caicedo para la obtención de las fuentes documentales requeridas para este ensayo. Este trabajo ha sido financiado por el fondo para investigaciones del Comité de Investigaciones de la Universidad Andina Simón Bolívar (UASB, Quito) y forma parte de un proyecto más amplio de la autora, en el que se estudian las tempranas experiencias liberales en Ecuador de la primera mitad del siglo XIX, desde una perspectiva transnacional y de historia cruzadas. 186 Galaxis Borja González","PeriodicalId":52370,"journal":{"name":"Jahrbuch fuer Geschichte Lateinamerikas/Anuario de Historia de Amrica Latina","volume":"1 1","pages":"185 - 210"},"PeriodicalIF":0.0000,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"5","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Jahrbuch fuer Geschichte Lateinamerikas/Anuario de Historia de Amrica Latina","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7767/jbla-2016-0110","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 5
Abstract
– This research project addresses the political participation of artists and artisans in Quito in the mid–1800’s, during what’s known as the “March” national governments, especially under the rule of José María Urvina (1851–1856) and Francisco Robles (1856–1859). The first section examines the role of the so called Sociedades Democráticas as places of sociability and political learning, where literate lettered artists and artisans gathered with the members of the political and publishing elites. There, they applied the concepts, keywords, values and practices from liberalism. The second section studies the 1845 Revolution commemoration speeches, written by members of the Sociedades Democráticas, which reflected their requirements for building an egalitarian, democratic and Catholic political community. Finally, the third section examines the newspaper El Artesano (1857–1859), published by former members of the Sociedades Democráticas, to analyze their efforts to participate in the public debates of Quito. The purpose of this article is to examine the ways in which the liberal official discourse was appropriated and transformed by the members of the Sociedades Democráticas according to their own political expectations and identities, and how these meaning constructs shaped a local version of Catholic liberalism. * Agradezco los valiosos comentarios de Juan Maiguashca y Pablo Ospina; así como la colaboración de Tatiana Salazar y Ligia Caicedo para la obtención de las fuentes documentales requeridas para este ensayo. Este trabajo ha sido financiado por el fondo para investigaciones del Comité de Investigaciones de la Universidad Andina Simón Bolívar (UASB, Quito) y forma parte de un proyecto más amplio de la autora, en el que se estudian las tempranas experiencias liberales en Ecuador de la primera mitad del siglo XIX, desde una perspectiva transnacional y de historia cruzadas. 186 Galaxis Borja González
-本研究项目涉及19世纪中期基多艺术家和工匠的政治参与,在所谓的“三月”国家政府期间,特别是在jos María Urvina(1851-1856)和Francisco Robles(1856-1859)的统治下。第一部分考察了所谓的Sociedades Democráticas作为社交和政治学习场所的作用,有文化的艺术家和工匠与政治和出版精英成员聚集在一起。在那里,他们运用了自由主义的概念、关键词、价值观和实践。第二部分研究了Sociedades Democráticas成员撰写的1845年革命纪念演讲,这些演讲反映了他们对建立平等、民主和天主教政治共同体的要求。最后,第三部分考察了由Sociedades Democráticas前成员出版的报纸El Artesano(1857-1859),以分析他们参与基多公共辩论的努力。本文的目的是考察自由主义官方话语是如何被Sociedades Democráticas的成员根据他们自己的政治期望和身份挪用和转化的,以及这些意义建构如何塑造了天主教自由主义的地方版本。*胡安·马瓜什卡和巴勃罗·奥斯皮纳;así como la colaboración de Tatiana Salazar和Ligia Caicedo para la obtención de las fuentes documentales requesidas para este enayo。埃斯特找工作哈sido financiado将作为这些活动的几率el洋底对位investigaciones del拉西德investigaciones de la大学Andina西蒙•玻利瓦尔(UASB,基多)y形式组成部分指出联合国mas amplio de la autora en el, se estudian las tempranas experiencias自由在厄瓜多尔de la第十九届只要del siglo desde una perspectiva transnacional y de cruzadas史学家。186 Galaxis Borja González