Permission to Wonder: The Palimpsestic Interplay of H.D. & Freud

IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Modernist Cultures Pub Date : 2023-02-01 DOI:10.3366/mod.2023.0385
V. Papa
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Abstract

The modernist writer H.D. was Freud’s analysand in 1933 and 1934 and friend until his death in 1939. This article examines letters, biographies, memoirs, and archival material to trace the interplay between H.D.’s palimpsestic poetics in Trilogy (1973) and Freud’s writing of his last book, Moses and Monotheism (1939) – a work that he was composing throughout the duration of his friendship with the poet. In this book, Freud situates Jewish history as a survival narrative centred on the figure of Moses. Known as one of his most ‘literary’ texts, Moses and Monotheism retraces the life of Moses in a multi-layered narrative that shares in the palimpsestic impulses of H.D.’s writing. This article argues that Freud draws from the revisionist strategies so central to H.D.’s worldview and writerly ethos in order to place creativity and resilience at the heart of Moses and Monotheism.
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允许好奇:H.D.和弗洛伊德的改写相互作用
这位现代主义作家在1933年和1934年是弗洛伊德的分析者,直到1939年去世都是他的朋友。本文考察了信件、传记、回忆录和档案材料,以追溯h.d.的《三部曲》(1973)中改写的诗学与弗洛伊德的最后一本书《摩西与一神教》(1939)之间的相互作用——这部作品是他在与弗洛伊德友谊期间创作的。在这本书中,弗洛伊德将犹太人的历史定位为以摩西为中心的生存叙事。作为他最“文学”的作品之一,《摩西与一神论》以多层叙事的方式追溯了摩西的一生,这种叙事方式与h.d.的作品一样具有改写的冲动。这篇文章认为弗洛伊德借鉴了修正主义的策略,这些策略对h.d.的世界观和作家气质至关重要,以便将创造力和弹性置于摩西和一神教的核心。
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来源期刊
Modernist Cultures
Modernist Cultures HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.20
自引率
0.00%
发文量
19
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