“Village prose” in the context of conflict between the traditional russian culture and the soviet modernity

Abstract

The article is devoted to analysis of the works of the so-called village prose (F. Abramov, V. Shukshin, V. Rasputin, A. Solzhenitsyn) in the decolonial perspective using the concept of internal colonization. The characteristics of this concept and its heuristic potential are given. The application of semiotic method - distinction of markers - allowed the authors to determine the points of divergence in the socialist realism poetics and the village prose. It is shown that the village prose plots do not fit into the soviet ideological narratives, while the key narrative of the modern thinking - progress - in the artistic world of the village text testifies to the destruction of Russian village and the Russian peasantry. It is revealed that F. Abramov's application of the deconstruction method allowed to revaluate the narratives that are important for the soviet ideology. In V. Shukshins stories we have found an opposition of modernity - traditionalism, which serves as a precondition for the comic. It allows us to identify a subordinate position of a villager-peasant, irrelevant in the world of modernity.