Musical culture in the development of the cultural identity of the individual

N. I. Kashina, N. G. Tagiltseva
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Abstract

One of the fundamental problems of the development of modern society is the formation of a genuine cultural identity of man. The formed cultural identity of a person is a condition of its entry into a multicultural environment, as positive attitude towards another culture is not possible without awareness of its culture. The article reveals the thesis that musical culture, as a kind of artistic culture and part of spiritual culture, has enormous potential in the formation of cultural identity of the individual. The authors of the article prove that the identification function of musical culture is realized in connection with a number of its other functions. Cumulative function of musical culture is realized in accumulation, storage, generalization in their individual images of value-cognitive outlook of culture. The communicative function of musical culture is manifested in the fact that it is a universal system of communication of people at all levels, from the interindividual to the level of generations. As a result, there is a process of comparing the individual with the “other” (hero of the musical work), identification or vice versa, isolation from him. The communicative function comes close to the consolidating function. In the process of perception of musical work or its performance in the consciousness of the individual, a sense of belonging to the culture of his ethnic group, affinity with his culture is formed. The function of reflecting reality shows itself in reflecting in artistic images ideas, emotions and the subject world. Identifying with them, a person has individually colored associations, and emotional resonance is carried out. This emotional empathy, manifested in identifying the emotional mood of the recipient with the meaningful deployment of the musical work, is a way of ethical influence on the person and causes his cultural selfidentification. Here, the reality reflection function is connected to the emotional function of the music culture. The function of reflection of validity is also related to the cognitive function of musical culture. In modern historical conditions, when the “connection of times and generations” has been interrupted for a long period, musical culture is one of the sources of modern man‘s knowledge of the moral traditions of mankind. Without the knowledge of culture, the formation and formation of cultural identity is impossible. The ethical function shows itself in that it contains cultural specimens of ethnos. Musical culture provides individuals with basic cultural landmarks, distinctive images of cultural identity. Art provides individuals with a set of symbols with which it can associate itself (a set of potential positive and negative identities). The authors also define psychological mechanisms for the formation of cultural identity in the process of musical activity - identification and isolation.
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音乐文化在个体文化认同的发展过程中
现代社会发展的基本问题之一是人的真正文化认同的形成。一个人形成的文化认同是其进入多元文化环境的条件,因为如果不了解另一种文化,就不可能对另一种文化持积极的态度。本文揭示了音乐文化作为一种艺术文化和精神文化的组成部分,在个体文化认同的形成中具有巨大的潜力。本文论证了音乐文化的认同功能是与音乐文化的诸多其他功能联系在一起实现的。音乐文化的累积功能是通过对个体文化价值认知形象的积累、储存、概括来实现的。音乐文化的交际功能表现在它是一种从个体间到代际间各个层次的人之间的普遍的交际系统。因此,存在着一个将个人与“他者”(音乐作品的主人公)进行比较、认同或反之亦然、与他隔离的过程。交际功能接近巩固功能。个体在意识中感知音乐作品或其演奏的过程中,形成了对本民族文化的归属感,与本民族文化的亲和力。反映现实的功能表现在艺术形象对思想、情感和主体世界的反映上。与它们相认同,一个人会有不同颜色的联想,并产生情感共鸣。这种情感共情表现为将接受者的情感情绪与音乐作品的有意义部署相认同,是一种对人的伦理影响方式,使其产生文化自我认同。在这里,现实反映功能与音乐文化的情感功能相联系。效度的反映功能也与音乐文化的认知功能有关。在“时代与世代的联系”长期中断的现代历史条件下,音乐文化是现代人认识人类道德传统的来源之一。没有文化知识,文化认同的形成和形成是不可能的。伦理功能表现在它包含了民族的文化样本。音乐文化为个体提供了基本的文化地标、鲜明的文化认同形象。艺术为个人提供了一套可以与之联系的符号(一套潜在的积极和消极的身份)。作者还界定了音乐活动过程中文化认同形成的心理机制——认同与孤立。
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