{"title":"An Overannotated “Auguries of Innocence”","authors":"Alexander S. Gourlay","doi":"10.47761/biq.267","DOIUrl":null,"url":null,"abstract":"Recently, in reviewing two new editions of Blake, I used “Auguries of Innocence” as a test case to assess the explanatory notes provided by the editors. I chose the poem because it seems to me particularly susceptible to—and in need of—intervention of the kind provided by editorial annotation. Each individual augury poses an intellectual problem of some kind. Many are apparently designed to exercise and strengthen the visionary capabilities of the reader, usually depending on a critical unstated fact or idea, but the supplementary information provided in existing editions of this work is sparse and more often occludes than illuminates. I thought it might be useful to some future editors as well as readers to create an “edition” of this poem with explicit versions of every note I could think of, not as a paradigmatic textbook text of the poem (it’s too thorough, though far from exhaustive) but as a resource from which editors could select the information that would be most helpful to their readers.","PeriodicalId":39620,"journal":{"name":"Blake - An Illustrated Quarterly","volume":"08 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2020-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Blake - An Illustrated Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.47761/biq.267","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
Recently, in reviewing two new editions of Blake, I used “Auguries of Innocence” as a test case to assess the explanatory notes provided by the editors. I chose the poem because it seems to me particularly susceptible to—and in need of—intervention of the kind provided by editorial annotation. Each individual augury poses an intellectual problem of some kind. Many are apparently designed to exercise and strengthen the visionary capabilities of the reader, usually depending on a critical unstated fact or idea, but the supplementary information provided in existing editions of this work is sparse and more often occludes than illuminates. I thought it might be useful to some future editors as well as readers to create an “edition” of this poem with explicit versions of every note I could think of, not as a paradigmatic textbook text of the poem (it’s too thorough, though far from exhaustive) but as a resource from which editors could select the information that would be most helpful to their readers.
最近,在评论布莱克的两个新版本时,我用《无辜的预兆》(augures of Innocence)作为测试案例来评估编辑提供的解释性注释。我之所以选择这首诗,是因为在我看来,它似乎特别容易受到——而且需要——编辑注释所提供的那种干预。每一种占卜都提出了某种智力上的问题。许多显然是为了锻炼和加强读者的幻想能力,通常依赖于一个关键的未陈述的事实或想法,但在现有版本中提供的补充信息是稀疏的,而且往往是遮蔽的,而不是阐明的。我认为,对未来的编辑和读者来说,把我能想到的每一个注释都明确地写进这首诗的“版本”可能会很有用,不是作为这首诗的范例教科书(它太彻底了,尽管远非详尽无遗),而是作为一种资源,编辑可以从中选择对读者最有帮助的信息。
期刊介绍:
Blake/An Illustrated Quarterly was born as the Blake Newsletter on a mimeograph machine at the University of California, Berkeley in 1967. Edited by Morton D. Paley, the first issue ran to nine pages, was available for a yearly subscription rate of two dollars for four issues, and included the fateful words, "As far as editorial policy is concerned, I think the Newsletter should be just that—not an incipient journal." The production office of the Newsletter relocated to the University of New Mexico when Morris Eaves became co-editor in 1970, and then moved with him in 1986 to its present home at the University of Rochester.