Walking the Tar Sands: Poetry and the Fossil Economy

Q1 Arts and Humanities Green Letters Pub Date : 2022-07-03 DOI:10.1080/14688417.2022.2102526
Neal Alexander
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Abstract

ABSTRACT Most literary representations of climate change focus upon its tangible effects: destructive storms and floods; melting glaciers and rising sea levels; wildfires, droughts and species extinctions. It is much less common, however, for writers to confront the primary causes of climate change and global warming: the mining and burning of fossil fuels over the course of more than two centuries, from the dawn of industrial capitalism to the present. This essay will examine some notable exceptions to this general rule, focusing upon the work of two Canadian poet-activists, Stephen Collis and Rita Wong. In particular, I argue that their representations of the Alberta Tar Sands are illuminating not only for the ways in which they integrate the effects of climate change with their sources in what Andreas Malm calls ‘the fossil economy’ but also because they foreground the politics of walking in a polluted and brutalised landscape.
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《走在焦油沙上:诗歌与化石经济
大多数关于气候变化的文学表现都集中在其有形影响上:破坏性风暴和洪水;冰川融化和海平面上升;野火、干旱和物种灭绝。然而,对于作家来说,面对气候变化和全球变暖的主要原因要少见得多:从工业资本主义萌芽到现在,两个多世纪以来,化石燃料的开采和燃烧。本文将研究这一普遍规律的一些值得注意的例外,重点关注两位加拿大诗人活动家斯蒂芬·科利斯和丽塔·王的作品。特别是,我认为他们对阿尔伯塔焦油砂的描述不仅说明了他们将气候变化的影响与安德里亚斯·马尔姆所说的“化石经济”的来源结合起来的方式,而且还因为他们突出了在污染和野蛮的景观中行走的政治。
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来源期刊
Green Letters
Green Letters Arts and Humanities-Literature and Literary Theory
CiteScore
0.50
自引率
0.00%
发文量
38
期刊介绍: Green Letters: Studies in Ecocriticism explores the relationship between literary, artistic and popular culture and the various conceptions of the environment articulated by scientific ecology, philosophy, sociology and literary and cultural theory. We publish academic articles that seek to illuminate divergences and convergences among representations and rhetorics of nature – understood as potentially including wild, rural, urban and virtual spaces – within the context of global environmental crisis.
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